I paint people. Mainly women...dancing and feeling lots of emotions.

Monika K. Adler is an acclaimed photographer and avant-garde filmmaker known for her challenging and provocative photography and experimental films. Her works have been exhibited in hundreds of photography, video art, and film festivals, art museums, and galleries worldwide. Adler’s films and image-based works have been the subject of several academic studies and published in many magazines and publications. She lives and works in London, United Kingdom.

Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.

Ewa Doroszenko - intermedia artist, Doctor of Fine Arts, lives and works in Warsaw. Graduate of the Nicolaus Copernicus University in Toruń, scholarship holder of the Ministry of Culture and National Heritage of the Republic of Poland in 2019 and the City of Toruń in the field of culture in 2013 and 2011. A laureate of many international competitions, including Preview – Fait Gallery, Brno, 2016; Debuts 2018 – doc! photo magazine; Debut 2018 – Lithuanian Photographers Association; finalist of Noorderlicht International Photo Festival, 2021; Kranj Foto Fest, 2021; International Festival of Photography FIF BH – Brazil 2020; Athens Digital Arts Festival, 2020; GENERATE! Festival for Electronic Arts, 2019; Der Greif and the World Photography Organization open call, 2018; FILE Electronic Language International Festival, Sao Paulo, 2015; Gray House Foundation Competition, Krakow, 2011. Participant in numerous artist residency programmes, including Re_Act contemporary art laboratory in Portugal, Atelierhaus Salzamt Linz in Austria, The Island Resignified Lefkada in Greece, Petrohradska Kolektiv Prague in the Czech Republic, Klaipeda Culture Communication Center in Lithuania, AAVC Hangar Barcelona in Spain, Kunstnarhuset Messen Ålvik in Norway. Her works have been presented at the Starak Family Foundation in Warsaw, the Wozownia Art Gallery in Toruń, the Center for Contemporary Art in Toruń, Fait Gallery in Brno, Propaganda Gallery in Warsaw, Exgirlfriend Gallery in Berlin, Wroclaw Contemporary Museum.

Waste Textiles Artist. Femke van Gemert, 1969 After a career in commercial fashion Femke decided to change the way to create things. Now she designs wall hangings and rugs that are unique, handmade and fully sustainable. By focussing on a single colour she re-uses textiles in abstract works. The beauty of imperfection and deterioration over time are always visible in her creations. The composition she creates radiates a certain mood or longing laden with fragments of the former characteristics of the used textile pieces. In the creation process Femke thinks about certain societal or environmental issues, these are reflected in the titles. In commissioned work clients can donate their own discarded textiles. This improves the personal involvement the owner has with the piece of art. This way Femke wants to revaluate textile waste that is omnipresent in our fast consuming society. The wall hangings improve acoustics and are suitable for homes, offices and public buildings. The love for textiles combined with the urge to explore the possibilities of discarded fabrics form a long lasting source of inspiration and a way to express opinions in Femke van Gemert’s life.