I am a clay illustrator. Like most of us, I started playing around with clay at a very young age. Unlike most of us, I continued my practice right through my childhood and into adulthood. Nowadays I view my lumps of clay with the same wide-eyed, open-ended imagination that I did as a child, but now I take it to a level of refinement and expression, achievable only through thousands of hours of practice and a true love for my art. And now I hardly ever eat the clay.

Art Director of Little White Lies Magazine and Illustrator, Laurène Boglio also loves making quirky animated black and white gifs. She loves 0.38 and 0.5mm black Muji pen. Photo credit: Pete Davies. petergdavies.com

Lily is a multi-disciplinary designer, illustrator, and art director specializing in fashion sustainability.

Marco Oggian has wanted to be illustrator since he was just a little kid. Describing his style as “simple, strong, a five-year-old could do better”, it seems that a lot of that energy has stayed with him. Although most small children don’t quite have Marco’s client base, there’s definitely more than a touch of the playful to the Italian illustrator’s colourful approach. But his simple shapes and bright colours are often deployed to highlight more serious issues, from the environment to the war in Syria. Born in Italy but now based in La Coruña in Northern Spain (for his “lovely girlfriend and of course tapas and beer!”), Marco is largely self-taught, after being expelled from college pretty-early on. Ever the optimist, the young illustrator frames his departure from formal education as an opportunity for self-study and to gain life experience. “Since I had the chance to start working earlier than my peers, I have already done a lot of interesting things: travel, give talks, put on exhibitions and performances – all this is incredible,” he enthuses.

British illustrator living in Japan