Romain Tardy has been active in the visual art scene since 2008. Today his work is shown all over the world and most often conceived as poetic sensory experiences using light, video mapping, physical objects and sound. They question our relationship to technological and digital developments and their repercussions on society. As well as his personal creations, he does creative and art direction, art consulting, and he is invited to do workshops and lectures in art schools and universities on a regular basis.

Collectors Cabinet in the city of Brussels  Vintage * art * design * furniture 

Katja Mater is a visual artist and filmmaker, interested in revealing a different or alternative (experience of) reality through capturing the areas where optical media hardly behave like the human eye, recording events that simultaneously can and cannot be – holding midway between information and interpretation. Next to her artist practice Mater is editor and art director for Girls Like Us Magazine; An independent magazine turning the spotlight on an international expanding community of lesbians and queers within arts, culture and activism. Through personal stories, essays and vanguard visuals Girls Like Us unfolds feminist legacies in arts, design and writing. Mixing politics with pleasure, the magazine maps collaborative routes towards a non-patriarchal future.

Textile designer, focused on the role of textiles in relation to bodies, language, ways of inhabiting spaces and its development of different cultures. Currently living in Brussels and working between Colombia and Belgium.

Born in 1991, Belgian designer Pierre-Emmanuel Vandeputte received his master’s degree in industrial design from the ENSAV La Cambre in 2014. Following his graduation, he opened his studio at the « MAD Lab » (MAD Brussels Fashion & Design Platform) working there as a designer since 2015. Since the beginning of his professional career, Pierre-Emmanuel has been invited to exhibit annually in cities such as Copenhagen, Paris, and Milan. From conception to production, Pierre-Emmanuel imbues his designs with a sense of the surreal and a respect for craftsmanship. Each piece has a unique voice, and emotional power. Together, they speak to our more playful and curious nature, inviting us to live experiences unlimited by everyday expectations. His work is enigmatic, challenging what we consider to be evident in order to change habits and perceptions. His designs are indeed symbolic of an urge to break free from the mundane, to chase originality, while staying within the framework of the most noble materials.