About Devrim
Curator at WIELS Contemporary Art Centre in Brussels 
Current city: Brussels
Curator at WIELS Contemporary Art Centre in Brussels 
Deborah Bowmann is contemporary art gallery and an artist duo, working at the fringe of sculpture and set design.
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Brussels has many parks but this one is unique and incredibly peaceful (not to mention super romantic). It features a rose garden, an orchard, a pond, giant mushroom seats in stone and even a colossal Olmec head... Located between the busy Bois de La Cambre and the gigantic Sonian Forest, this little gem is one of Brussels best kept secrets.
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An old gaz station turned into a hip café. Open all day everyday. The inside is small but the terrace is huge. The food is good and the crowd is cool.
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This Art Deco house, surrounded by a beautifully lush garden, originally inhabited by the couple David and Alice Van Buuren, was transformed into a private museum which exhibits a wide range of rare furniture, tapestries, glass frames, sculptures and paintings in their original décor.
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Without a doubt my favorite place to eat real Belgian food! This family owned restaurant is a bit outside the city centre but it is definitely worth the trip. The food is delicious and the service extra friendly (children are more than welcome). In the summer they also have a terrace. If you're craving for mussels, bloody meat and perfect fries, look no further.
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If you're into photo books, this is your place.
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The hot NYC gallery opened a massive exhibition space near WIELS some time ago. They run a good contemporary art program in a surprising architecture and they also have a wonderful little café which is great for lunch.
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More People in Brussels 33

Romain Tardy has been active in the visual art scene since 2008. Today his work is shown all over the world and most often conceived as poetic sensory experiences using light, video mapping, physical objects and sound. They question our relationship to technological and digital developments and their repercussions on society. As well as his personal creations, he does creative and art direction, art consulting, and he is invited to do workshops and lectures in art schools and universities on a regular basis.
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Collectors Cabinet in the city of Brussels  Vintage * art * design * furniture 
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Katja Mater is a visual artist and filmmaker, interested in revealing a different or alternative (experience of) reality through capturing the areas where optical media hardly behave like the human eye, recording events that simultaneously can and cannot be – holding midway between information and interpretation. Next to her artist practice Mater is editor and art director for Girls Like Us Magazine; An independent magazine turning the spotlight on an international expanding community of lesbians and queers within arts, culture and activism. Through personal stories, essays and vanguard visuals Girls Like Us unfolds feminist legacies in arts, design and writing. Mixing politics with pleasure, the magazine maps collaborative routes towards a non-patriarchal future.
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Textile designer, focused on the role of textiles in relation to bodies, language, ways of inhabiting spaces and its development of different cultures. Currently living in Brussels and working between Colombia and Belgium.
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Born in 1991, Belgian designer Pierre-Emmanuel Vandeputte received his master’s degree in industrial design from the ENSAV La Cambre in 2014. Following his graduation, he opened his studio at the « MAD Lab » (MAD Brussels Fashion & Design Platform) working there as a designer since 2015. Since the beginning of his professional career, Pierre-Emmanuel has been invited to exhibit annually in cities such as Copenhagen, Paris, and Milan. From conception to production, Pierre-Emmanuel imbues his designs with a sense of the surreal and a respect for craftsmanship. Each piece has a unique voice, and emotional power. Together, they speak to our more playful and curious nature, inviting us to live experiences unlimited by everyday expectations. His work is enigmatic, challenging what we consider to be evident in order to change habits and perceptions. His designs are indeed symbolic of an urge to break free from the mundane, to chase originality, while staying within the framework of the most noble materials.
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