César Pesquera makes films, directs music videos and commercials, creates installations, designs live visuals and writes. His work combines the grammar of cinema with a taste for conceptualization and visual experimentation. He likes to think about images, spaces, technology, perception, identity and time. At the moment he is working in a short film and writing a feature film. Sometimes he makes music as Portabot.

I'm an illustrator specialized in drawing and painting by hand, mostly portraits. My background is in book design, and I still get immense inspiration from great stories. I work internationally and enjoy collaborating.

I'm a visual artist working mostly with lens-based media and graphics (prints, short films, live visuals). Also doing creative direction in the field of music, fashion and performing arts. I have been studying art history and visual culture in Stockholm university and photography in Aalto university. My studio is now in Helsinki.

Alison O’Daniel is a visual artist and filmmaker working across sound, narrative, sculpture, installation and performance. Her projects, screenings, and performances have been included in Made in LA 2018, Hammer Museum; The Infinite Ear, The Garage Museum of Contemporary Art, Moscow; Performa, New York; Exchange Value, Los Angeles Nomadic Division; and Louder than Words, the Zuckerman Museum, Atlanta, GA. Solo exhibitions include Skaters’ Score, commissioned by JOAN with support from the Mike Kelley Foundation for the Arts; The Bemis Center for Contemporary Arts, Omaha; Studio 13-16 project and screening at the Centre Pompidou, Paris; Shulamit Nazarian, Los Angeles; Art In General, New York; Samuel Freeman Gallery, Los Angeles; Centre d’Art Contemporain Passerelle, Brest, France. She is a recipient of grants from Creative Capital, the Rema Hort Mann Foundation; Center for Cultural Innovation; California Community Foundation, and more.

Inês Rebelo (1981, Lisbon) is a visual artist with a MFA in Fine Art from Goldsmiths College, London. She works in painting, drawing and installation and is interested in the parallel stories that can arise in our relationship with mundane and overlooked ordinary objects, often looking at the relationship between scientific facts and the empirical experience of everyday moments.