Set-,Space- and propdesigner from Belgium

Liesl Pfeffer is a visual artist from Melbourne, Australia. She has a degree in photography and makes collages from toy camera photographs. She loves crafts, drumming, baked goods, riding her bike and replacing the blade on her scalpel.

CATHRINE RABEN DAVIDSEN Historical accounts, works of fiction and mythological material combined with personal memory often form the point of departure for the work of Danish artist Cathrine Raben Davidsen. Her activities are characterized by a strong fascination with the material and the urge constantly to experiment with and explore different artistic techniques. From early on she has also drawn inspiration from the history of art and from a variety of textual references associated with Western and Eastern mythology and literature. The traditional hierarchies among art, artist-craftsmanship and design are negated in an artistic oeuvre that ranges wide from painting, drawing and ceramics to costumes and stage design. Cathrine Raben Davidsen (b. 1972) has exhibited widely in Denmark and abroad and is represented in several national and international art collections. Public collections include: SMK, The National Gallery of Denmark, Trapholt Museum of Modern Art, Applied Art, Design and Architecture, Horsens Art Museum and The New Carlsberg Foundation among others. She has created costumes and set design for The Royal Danish Ballet and has received numerous prestigious awards, grants and scholarships. She is educated in Italy, The Netherlands and in Denmark at The Royal Danish Academy of Fine Arts. She lives and works in Copenhagen.

At the intersection of fashion, photography, film, stagecraft, and design, artist Marina Fini creates hallucinatory, alternative worlds. Based in California, she collaborates with friends and artists alike in the staging of these otherworldly scenes, using colorful costumes and her own handmade, plexiglass jewelry to turn her photographic subjects into ethereal cyber goddesses. When asked how she builds these characters, Fini remarked, “there’s something about transforming someone into someone they wouldn’t normally be … that is, creating an extension of themselves that I see in them.” All of her characters exude a captivating power, like the whimsical and intangible figures seen through a psychedelic dream. By exploring alternative selves in familiar contexts – a convenience store, or the Californian seaside, for example – Fini explores how subjecthood is fluid, and how such creative “shape-shifting” can alter the way we perceive our immediate reality.

Artist and Photographer