Vero Escalante is a stylistic illustrator, living in Buenos Aires, Argentina. She studied fashion design, she loves rabbits and tropical fruits. The style Vero has is very fresh and experimental. Some of her clients throughout the years were Adidas, Coca-Cola, Johnnie Walker Blue Label, The Ritz-Carlton, Pinterest, just to name a few.

Illustrator and comics artist. Born in South Korea and moved to France, I'm currently working in Strasbourg where I graduated in 2017 at Haute École des Arts du Rhin.

I am a Swedish artist based in London. My work concern interest in restraint related to the body and cultural structures. Ideas of obstruction aim to question how forms and bodies adapt to change, environment and ideals.  I am interested in how a person is shaped by the spaces they have occupied and how a person occupies their own psychological space. With a background in dance, interests in the body and spatiality continue to influence my ideas with focus on balance and repetition. The physical relationship to images are essential in my process of making and the photograph as a performative document explore elements of gesture. There are slippages between image, object and subject. I work mainly with the analogue photographic process and sculpture in relation to the image and performance. I enjoy working physically with materials whether they are photographic prints, sculpture or my own physical body as a medium. 

23-year-old photographer and retoucher based in Bucharest, Romania, available for commissions around the world.

Artist The observation and visualization of local determined characteristics of cities, the spaces between them, and the resulting global transformability run through Wolfgang Lehrner’s works. Cosmopolitan in his investigations, the artist responds to the change and the importance of seemingly insignificant similarities, as well as the opposition of urban areas, cities and their networking in the cultural, socio-economic, historical and metaphysical sense. In his way of working Lehrner consciously uses coincidence to determine the direction of aimless drifting, headed by the respective routes, squares, streets and places. The resulting cinematic portraits of everyday urban life are essentially results of the search for the particular.