Andrea Sullivan is a Sydney based artist. She has lived in Fontainebleau, London, Toronto and New York. Her vibrant works are assembled testaments to her travels and their time laboured intensity and beauty are a myriad of these experiences. Her work is held in private collections the world over and has shown in NYC and Sydney.

Marc Philip van Kempen (1979) is a Dutch artist living in Amsterdam and Berlin. Much of his practice consists out of life-sized threedimensional reconstructions of media images that result in a kind of ‘spatial collage’. His work brings elements of photography, sculpture and new media together in unconventional ways, challenging the viewers perspective.

Patrick Jacobs lives and works in Brooklyn, New York. He studied art at the School of the Art Institute of Chicago and is represented by Pierogi Gallery in Williamsburg, Brooklyn. His work, including sculpture, photography and video, is often characterized by a kind of pseudo-science or homespun natural phenomena. "When one settles down to a new home, they immediately set out to discover those things which captivate and hold meaning for them. I moved to Brooklyn, New York in 1999 and twelve years later, I'm still writing my own personal travel guide of the city's unlimited attractions and temptations."

Clo’e Floirat is an author and illustrator. She began her rigorous training in New York, fleetingly leaving France to then attend the Design Academies of Reims and Eindhoven, Netherlands. This led her to Berlin, working with architects specializing in art spaces for another five years. From working with Robert Wilson as well as Rufus Wainwright in New York for several years, her interests have recently culminated in her graduation from the new master in Critical Writing in Art at the Royal College of Art, London. She has become known for her signature drawings - a combination of drawing and writing with a critical orientation, into what she calls drawing Crit’writing - that cast a critical, humorous and refreshing look on the world of contemporary art. Clo’e is a regular contributor to various publications, e.g., art press, Frieze, Intramuros, l’Officiel Art and the World of Interiors. She is a special guest at Monumenta - Grand Palais in Paris since 2011, where she draws and writes along side major contemporary artists such as Anish Kapoor, Daniel Buren, Ilya and Emilia Kabakov. More recently Art Brussels has invited her for a live critical drawing installation on the walls of the art fair. In 2016 Kamel Mennour feat. Clo'e Floirat. A unique collaboration to take a closer look at his 2016 gallery program resulting in a solo exhibition at Kamel Mennour gallery - rue Saint André des Arts Paris 7ème. In March 2016, Clo’e released her first book Pas mal pour de l’art with Marabout editions - Marabulles. This new publication constitutes a unique portrait of gallery and museum-goers, drawn with humor and perceptiveness. Selected clients: Colette, Hermès, Illycaffè, La Ville de Paris, Pierre Hermé, SNCF, MAH!, Emeco, Ketel One, Droog Design. Selected publishers: art press, Marabout, Gallimard, Frieze, Designo, Intramuros, l’Officiel Art, the World of Interiors, Eyrolles.

At the intersection of fashion, photography, film, stagecraft, and design, artist Marina Fini creates hallucinatory, alternative worlds. Based in California, she collaborates with friends and artists alike in the staging of these otherworldly scenes, using colorful costumes and her own handmade, plexiglass jewelry to turn her photographic subjects into ethereal cyber goddesses. When asked how she builds these characters, Fini remarked, “there’s something about transforming someone into someone they wouldn’t normally be … that is, creating an extension of themselves that I see in them.” All of her characters exude a captivating power, like the whimsical and intangible figures seen through a psychedelic dream. By exploring alternative selves in familiar contexts – a convenience store, or the Californian seaside, for example – Fini explores how subjecthood is fluid, and how such creative “shape-shifting” can alter the way we perceive our immediate reality.