Paris based art director, graphic designer, ceramist and a member of a collective that I co-founded called gangster

Charley Peters is an artist based in London. She produces systematic drawings on paper and in physical spaces in which visual order is deconstructed through mechanical, manual or architectural interference. She has a PhD in Fine Art and exhibits her work internationally. As Co-Director of TBC Artists’ Collective, Charley works with artists and writers engaged in research-led projects that explore drawing as a performative, documentary or interventionist medium.

Artist

At the intersection of fashion, photography, film, stagecraft, and design, artist Marina Fini creates hallucinatory, alternative worlds. Based in California, she collaborates with friends and artists alike in the staging of these otherworldly scenes, using colorful costumes and her own handmade, plexiglass jewelry to turn her photographic subjects into ethereal cyber goddesses. When asked how she builds these characters, Fini remarked, “there’s something about transforming someone into someone they wouldn’t normally be … that is, creating an extension of themselves that I see in them.” All of her characters exude a captivating power, like the whimsical and intangible figures seen through a psychedelic dream. By exploring alternative selves in familiar contexts – a convenience store, or the Californian seaside, for example – Fini explores how subjecthood is fluid, and how such creative “shape-shifting” can alter the way we perceive our immediate reality.

Artist The observation and visualization of local determined characteristics of cities, the spaces between them, and the resulting global transformability run through Wolfgang Lehrner’s works. Cosmopolitan in his investigations, the artist responds to the change and the importance of seemingly insignificant similarities, as well as the opposition of urban areas, cities and their networking in the cultural, socio-economic, historical and metaphysical sense. In his way of working Lehrner consciously uses coincidence to determine the direction of aimless drifting, headed by the respective routes, squares, streets and places. The resulting cinematic portraits of everyday urban life are essentially results of the search for the particular.