Elizabeth Gabrielle Lee is an artist, researcher and writer. Her practice is guided by the iterations of slow violence and the dynamic between the ‘near’ and ‘elsewhere’. In attempting to disarm instruments of knowledge production, her practice shies away from reduction and completion. Steering away from essentialisms, she is interested in once-forgotten micro and muted narratives. By revisioning fractured traditions, she engages with visual and textual interventions to navigate the nuances of perception and retention. Lee also runs XING, a research platform centered on the poetics and politics of Southeast and East Asian art practices. Assuming form of a shapeshifter, it morphs between localities and temporalities; with(in)flux. A domain of not-yet possibilities, the platform attempts to dismantle matrices concerned with the region from non-dominant perspectives.

Creator of a bunch of books including a series of faux illustrated Biographies, and illustrator for clients like The Atlantic, The New York Times, Tatler, Coors, Cartoon Network, Disney, Globe and Mail, and whatnot and on and on. Goes places, does things, but could and should more.

Anna Sophie Berger started her studies in vienna in the class of fashion at the university of applied arts under Veronique Branquinho, completed two years under the guidance of Bernhard Willhelm and is currently living in Paris to do an haute couture internship at Adeline André. Apart from the realisation of collections she works with photography on an artitic basis, on various conceptual projects and in different medias.

Inga Wilkens (b. 1987) is a painter living and working between Hamburg, Berlin and Munich, Germany. Originally from a small artist village named Fischerhude in Northern Germany, art was all around her when she grew up. Fascinated from an early age by Impressionism and the aesthetic values of Zen, her intuitive use of color and arresting play with shadow strives for simplicity and lucidity. Her oil and acrylic paintings hover towards abstraction and minimalism, yet breathe the clean air and convey the meditative silence stemming from a deeply felt connection with nature. Her works evoke the earthliness of colors or the proximity of a clear night sky, a sense of freedom one only finds in the essence of things. Inga does not so much pre-compose her paintings; she rather creates them intuitively, as spontaneous reactions to the present moment. Her practice values process and embraces the chaotic, yet always maintains a compositional centeredness that never makes her works feel out of balance.

Modern Desert Magic.  Surreal Minimalism.