Emma Kisiel is a photography artist and founder/editor of the online artist index, Muybridge's Horse. In her work, Kisiel explores the human experience of animals and nature and documents her physical closeness to animals, both living and dead. She is currently enjoying a quiet life exploring eastern Kansas and preparing to begin graduate school.

Danny Bracken is an artist and composer based in Pittsburgh.

Clo’e Floirat is an author and illustrator. She began her rigorous training in New York, fleetingly leaving France to then attend the Design Academies of Reims and Eindhoven, Netherlands. This led her to Berlin, working with architects specializing in art spaces for another five years. From working with Robert Wilson as well as Rufus Wainwright in New York for several years, her interests have recently culminated in her graduation from the new master in Critical Writing in Art at the Royal College of Art, London. She has become known for her signature drawings - a combination of drawing and writing with a critical orientation, into what she calls drawing Crit’writing - that cast a critical, humorous and refreshing look on the world of contemporary art. Clo’e is a regular contributor to various publications, e.g., art press, Frieze, Intramuros, l’Officiel Art and the World of Interiors. She is a special guest at Monumenta - Grand Palais in Paris since 2011, where she draws and writes along side major contemporary artists such as Anish Kapoor, Daniel Buren, Ilya and Emilia Kabakov. More recently Art Brussels has invited her for a live critical drawing installation on the walls of the art fair. In 2016 Kamel Mennour feat. Clo'e Floirat. A unique collaboration to take a closer look at his 2016 gallery program resulting in a solo exhibition at Kamel Mennour gallery - rue Saint André des Arts Paris 7ème. In March 2016, Clo’e released her first book Pas mal pour de l’art with Marabout editions - Marabulles. This new publication constitutes a unique portrait of gallery and museum-goers, drawn with humor and perceptiveness. Selected clients: Colette, Hermès, Illycaffè, La Ville de Paris, Pierre Hermé, SNCF, MAH!, Emeco, Ketel One, Droog Design. Selected publishers: art press, Marabout, Gallimard, Frieze, Designo, Intramuros, l’Officiel Art, the World of Interiors, Eyrolles.

Marianna Gefen is a Berlin-based artist whose illustrations include different techniques and mediums such as watercolor, collage, ink, vintage paper, various layers, and textures. She explores various subjects with her art, including fashion and psychology. Marianna was born in St. Petersburg, Russia, and has lived in Madrid and several German cities before relocating to Berlin. Her work has been published in The New York Times, The Washington Post, and in many other publications.

Chris Ballantyne’s work focuses on vernacular architecture and observation of the American landscape.  Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd.  Ballantyne states that, “Growing up in a military family and moving to different parts of the country, there was a certain familiarity to the kinds of houses and neighborhoods. They were a series of suburban developments built in separate regions of the country, always on the outskirts of larger cities, at the exit ramps of interstate highways, and all very similar in age and design.  My own notions of space developed out of this cultural landscape which was striving for an indidvidual sense of personal space,  consciously economic, and somewhere between urban and rural.” Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. “Most of my works involve combinations of various places, drawn from memory. As well, my own interests in skateboarding and surfing altered how I saw  the use of these structures ranging from empty pools, sidewalk curbs, to ocean jetties in a way that tied in to my sense of this larger push and pull between culture and nature.” With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity. A curious emptiness permeates the work of Chris Ballantyne. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.