My work focuses on portraiture and intimacy between loved ones and objects. I want to show the tenderness that can be experienced in this world through selective simplicity and tiny details. With our current socio-political cliamte, I think it is important to recognize these often unnoticed moments in our daily lives, and to remember that they exist. My paintings help me move forward openly, by presenting what is good in our world. I'm also part owner of Pilgrim Paper Co. -- a paper goods company based in Seattle, where I currently live!

I am an Illustrator based in Lisbon but always moving between Lisbon- Vilnius and Berlin. I create colorful illustrations inspired by cultures, traveling and social issues.

Michael Gillette is a British born San Francisco based artist, who has spent the last 20 years translating the visceral thrill of music in to arresting images. He has been sought  out by  many including  Beck, The Beastie Boys, MGMT and Paul McCartney. He is currently working on a Monograph "Drawn in Stereo " to be published in 2012.

Katja Mater is a visual artist and filmmaker, interested in revealing a different or alternative (experience of) reality through capturing the areas where optical media hardly behave like the human eye, recording events that simultaneously can and cannot be – holding midway between information and interpretation. Next to her artist practice Mater is editor and art director for Girls Like Us Magazine; An independent magazine turning the spotlight on an international expanding community of lesbians and queers within arts, culture and activism. Through personal stories, essays and vanguard visuals Girls Like Us unfolds feminist legacies in arts, design and writing. Mixing politics with pleasure, the magazine maps collaborative routes towards a non-patriarchal future.

Inês Rebelo (1981, Lisbon) is a visual artist with a MFA in Fine Art from Goldsmiths College, London. She works in painting, drawing and installation and is interested in the parallel stories that can arise in our relationship with mundane and overlooked ordinary objects, often looking at the relationship between scientific facts and the empirical experience of everyday moments.