Chris Ballantyne’s work focuses on vernacular architecture and observation of the American landscape.  Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd.  Ballantyne states that, “Growing up in a military family and moving to different parts of the country, there was a certain familiarity to the kinds of houses and neighborhoods. They were a series of suburban developments built in separate regions of the country, always on the outskirts of larger cities, at the exit ramps of interstate highways, and all very similar in age and design.  My own notions of space developed out of this cultural landscape which was striving for an indidvidual sense of personal space,  consciously economic, and somewhere between urban and rural.” Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. “Most of my works involve combinations of various places, drawn from memory. As well, my own interests in skateboarding and surfing altered how I saw  the use of these structures ranging from empty pools, sidewalk curbs, to ocean jetties in a way that tied in to my sense of this larger push and pull between culture and nature.” With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity. A curious emptiness permeates the work of Chris Ballantyne. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.

Working across multiple disciplines, illustrator and designer Kelly Knaga is most happy collaborating with clients in color and under sunshine-filled skies.

Waste Textiles Artist. Femke van Gemert, 1969 After a career in commercial fashion Femke decided to change the way to create things. Now she designs wall hangings and rugs that are unique, handmade and fully sustainable. By focussing on a single colour she re-uses textiles in abstract works. The beauty of imperfection and deterioration over time are always visible in her creations. The composition she creates radiates a certain mood or longing laden with fragments of the former characteristics of the used textile pieces. In the creation process Femke thinks about certain societal or environmental issues, these are reflected in the titles. In commissioned work clients can donate their own discarded textiles. This improves the personal involvement the owner has with the piece of art. This way Femke wants to revaluate textile waste that is omnipresent in our fast consuming society. The wall hangings improve acoustics and are suitable for homes, offices and public buildings. The love for textiles combined with the urge to explore the possibilities of discarded fabrics form a long lasting source of inspiration and a way to express opinions in Femke van Gemert’s life.

Arantxa Rueda is an artist & illustrator living in Barcelona. She specialized in collage and her style is characterized by minimalism, sensitive, femininity and mixed technique.

Lily is a multi-disciplinary designer, illustrator, and art director specializing in fashion sustainability.