Born in 1990, Antoine Duruflé grew up in Paris. In his studies, he went through the famous illustration section of Decorative Arts in Strasbourg. Yet his work is closer today to the field of painting. Color is an integral part of his pictorial identity. The attraction for this one, was revealed by its practice of the image printed in screen-printing workshop. She carries it gradually in a surreal nature, which blurs the clear lines of the illustration. The fictional universe that he builds tightly binds him to the realm of music that calls him to create visuals close to a certain fantasy and a utopian world.

Dries Depoorter is a Belgium artist that handles themes as privacy, artificial intelligence, surveillance & social media. Depoorter creates interactive installations, apps, games.

Artist and designer based in London

Jennica Atkinson is a multidisciplinary creative, living and working in California. With an education background in graphic design and photography, Jennica’s practice has led her to work professionally as a designer, art director, and photographer for the past 8 years. She is currently living where people stop to watch the sunset in Santa Monica, CA. b. 1986, Baltimore, Maryland. Based in Los Angeles, California Education 2010 BA, Major in Graphic Design, Towson University, Towson, Maryland 2006 Certificate in Photography, Harford Community College, Bel Air, Maryland Group Exhibitions Santa Monica, CA, Fresh StART, Arena 1 Gallery - February 2018

I am an observer. Through digital and analogue photography, still and moving images, I explore the potential ground that exists between fine art and documentary photography. Drawing inspiration from various conditions of the reality around me, from the great interest in the modern, dynamic art scene but also from my personal experiences, I believe in the power of images to convey the emotions, truths and challenges of modern reality. Having spent the majority of my life away from my motherland, I often return to the theme of homesickness and belonging in my artwork. My approach to picture making is to present ordinary, non-idealised, never staged reality. Such practice is the formulation of an interest in things as they are. By using only one lens which is the most similar to a human field of view, I am capturing the moments and non-moments that drag my attention. I am a sentimental and nostalgic artist and the camera is the best tool to anchor oneself to memories and emotions that are constantly fleeting. My work starts with a strong interest in the moment, light or a situation. The process of looking begins before taking a photograph and continues afterwards. Selecting pictures, printing, making connections, framing or setting up an exhibition space, all of it seems connected to the way of seeing. I immerse myself in the medium fully and utterly.