Chris Ballantyne’s work focuses on vernacular architecture and observation of the American landscape.  Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd.  Ballantyne states that, “Growing up in a military family and moving to different parts of the country, there was a certain familiarity to the kinds of houses and neighborhoods. They were a series of suburban developments built in separate regions of the country, always on the outskirts of larger cities, at the exit ramps of interstate highways, and all very similar in age and design.  My own notions of space developed out of this cultural landscape which was striving for an indidvidual sense of personal space,  consciously economic, and somewhere between urban and rural.” Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. “Most of my works involve combinations of various places, drawn from memory. As well, my own interests in skateboarding and surfing altered how I saw  the use of these structures ranging from empty pools, sidewalk curbs, to ocean jetties in a way that tied in to my sense of this larger push and pull between culture and nature.” With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity. A curious emptiness permeates the work of Chris Ballantyne. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.

Always pushing boundaries, you can expect the unexpected with 20 year old alternative pop artist Maggie Andrew. Meshing together various sounds and unique melodies, “Maggie makes music with teeth.” as described in an article with Pigeons & Planes.

Carolin Wanitzek is an independent scenographer and set designer from Germany. She designs three dimensional installations using various materials. Working in the field of scenography she blends graphic design, set design and photography to develop concepts for extraordinary worlds. Her work is published in digital media, magazines and catalogues. She also constructs designobjects which appears in interior design and public places. Currently she is working for national and international clients like Hewlett-Packard, Vodafone, Spiegel Verlag and the BASF and is partner at OUI R Creative Studio.

Jennica Atkinson is a multidisciplinary creative, living and working in California. With an education background in graphic design and photography, Jennica’s practice has led her to work professionally as a designer, art director, and photographer for the past 8 years. She is currently living where people stop to watch the sunset in Santa Monica, CA. b. 1986, Baltimore, Maryland. Based in Los Angeles, California Education 2010 BA, Major in Graphic Design, Towson University, Towson, Maryland 2006 Certificate in Photography, Harford Community College, Bel Air, Maryland Group Exhibitions Santa Monica, CA, Fresh StART, Arena 1 Gallery - February 2018

In 2017 I created DotPigeon, an artistic project that uses Instagram as a platform. Inspired by pop culture, politics, icons and trends of the moment, the idea behind my artworks remains the same: to twist images in order to create simple and comprehensible messages executed in a clean and visually satisfying way. The account reaches more than 40 thousand people and my works have been published by several online magazines, Instagram pages and newspapers (Forbes, ItsNiceThat, Fubiz, Popmyeyes, UrbanContest, Freeda, Designyoutrust, Designtaxi, Cnn, Darlin Magazine, Collater.al, Il Messaggero, Trendland, Picame Mag and many others).