My work focuses on portraiture and intimacy between loved ones and objects. I want to show the tenderness that can be experienced in this world through selective simplicity and tiny details. With our current socio-political cliamte, I think it is important to recognize these often unnoticed moments in our daily lives, and to remember that they exist. My paintings help me move forward openly, by presenting what is good in our world. I'm also part owner of Pilgrim Paper Co. -- a paper goods company based in Seattle, where I currently live!

Ileana Moro (b1992) Costa Rica. Currently, she lives and works in Antwerp, Belgium. Moro’s artworks are recognized mainly for her painting in dark tones wanting to expose the depths and layers of experiences as an instinctive relationship to the invisible things and the emotions buried within her daily life. Some represent abstract themes and isolated forms interacting within each other to archieve an intimate emotional issues, mental statements and spiritual transfiguration to awaken the soul, the unseen. Seeking to achieve a balance through the transformation from shadow to light believing that the shadow is a dark omen. A powerful teacher. Having spent her life in Costa Rica and outside. Ileana started in architecture and swiftly found Fine Art as the better way to explore her creativity and curiosity. Her artworks are held in private collections throughout the United States, Australia, the UK, Asia and Europe.

Artist / Illustrator / Design

I am an observer. Through digital and analogue photography, still and moving images, I explore the potential ground that exists between fine art and documentary photography. Drawing inspiration from various conditions of the reality around me, from the great interest in the modern, dynamic art scene but also from my personal experiences, I believe in the power of images to convey the emotions, truths and challenges of modern reality. Having spent the majority of my life away from my motherland, I often return to the theme of homesickness and belonging in my artwork. My approach to picture making is to present ordinary, non-idealised, never staged reality. Such practice is the formulation of an interest in things as they are. By using only one lens which is the most similar to a human field of view, I am capturing the moments and non-moments that drag my attention. I am a sentimental and nostalgic artist and the camera is the best tool to anchor oneself to memories and emotions that are constantly fleeting. My work starts with a strong interest in the moment, light or a situation. The process of looking begins before taking a photograph and continues afterwards. Selecting pictures, printing, making connections, framing or setting up an exhibition space, all of it seems connected to the way of seeing. I immerse myself in the medium fully and utterly.

Woche is a collection of jewelry that can be worn on a daily basis until it almost becomes second skin. Its name translates to ‘week’ in German. Wearing these pieces makes them adjust to the body, with small changes in patina, colour and shape.  The Belgian label, established in 2016 by Clarisse Bruynbroeck, does not work according to a seasonal approach but rather evolves through time as an unfettered collection. Coincidence and imperfection are aspects that return within the handmade pieces, in shape, material and technique. The apparent fragility only contributes to the aesthetics and does not affect the wearability of the jewelry.