Liza Sylvestre was born in South Minneapolis, Minnesota. Her summers were spent climbing trees and her winters were full of snow and many layers of sweaters and jackets. Sylvestre's early life and adolescence was defined by a significant and progressive hearing loss. Communication became increasingly dependent on small details that she became sensitive to. This simple physical fact created a very distinct lens through which she processed the world, and continues to process the world.
She moved to Miami in 2006 where she shares a home studio with artist Luis Diaz. Her paintings and drawings grow out of simple things: single marks, a gesture hinted at with an overlapping of color. They require both spontaneity and control and a belief that beauty hangs somewhere in the balance between those poles. Sylvestre also runs the blog Hardrainlight.
Stefhany is a Colombian Artist and Illustrator based in Germany.
She's been working as a freelance illustrator for more than 6 years now and have worked with clients like the New York Times, Le monde Diplomatique, Zeit Magazine and Refinery 29.
As an artist she has had the opportunity to show her work in over 20 galleries and art spaces all over the world.
Since an early stage, Giacomo felt interested in the visual perception of the volumes, light, transparencies, light materials, and how the eye treats the mind with a thoughtful use of them. Bachelor in Product Design and a Master’s degree in Architecture provided him all the technical aspects of the use of strengths, understanding of materials and 3D modelling.
Once has the technical knowledge and the convince of creating art, the material chose was the step to follow. The keenness of using a simple material whit shining properties became stronger thus after an examination of different materials the decision was to use brass and steel wire. In addition, the concept of using something cheap to create something precious is very attractive.
Creating a net of sewed wire with specific mental patrons and the using the strengths, making reinforcement to create shapes and curvatures lead final sculptures and models. The process followed during the last four years has been an autodidactic process of discovering how the weight, the tensions and the structure of the net can get transformed into an art piece.