***

I am a Swedish artist based in London. My work concern interest in restraint related to the body and cultural structures. Ideas of obstruction aim to question how forms and bodies adapt to change, environment and ideals.  I am interested in how a person is shaped by the spaces they have occupied and how a person occupies their own psychological space. With a background in dance, interests in the body and spatiality continue to influence my ideas with focus on balance and repetition. The physical relationship to images are essential in my process of making and the photograph as a performative document explore elements of gesture. There are slippages between image, object and subject. I work mainly with the analogue photographic process and sculpture in relation to the image and performance. I enjoy working physically with materials whether they are photographic prints, sculpture or my own physical body as a medium. 

Jessica Yatrofsky is a New York-based photographer, filmmaker and author, known for work exploring body politics, beauty, and gender. She received her MFA from Parsons the New School for Design and published her first photography monograph, I Heart Boy, with powerHouse Books in 2010 and her sec-ond photography monograph, I Heart Girl, in 2015. In 2017, she published her debut collection of poetry titled Pink Privacy. Jessica’s photographic work is part of the permanent collection with the Leslie Lohman Museum of Gay and Lesbian Art and the Musem of Sex in New York City. Her photography work has been exhibited overseas and her film work has been both televised and screened at film festivals internationally. Jessica’s writing has also been featured in publications such as Forbes and New York Magazine.

Since an early stage, Giacomo felt interested in the visual perception of the volumes, light, transparencies, light materials, and how the eye treats the mind with a thoughtful use of them. Bachelor in Product Design and a Master’s degree in Architecture provided him all the technical aspects of the use of strengths, understanding of materials and 3D modelling. Once has the technical knowledge and the convince of creating art, the material chose was the step to follow. The keenness of using a simple material whit shining properties became stronger thus after an examination of different materials the decision was to use brass and steel wire. In addition, the concept of using something cheap to create something precious is very attractive. Creating a net of sewed wire with specific mental patrons and the using the strengths, making reinforcement to create shapes and curvatures lead final sculptures and models. The process followed during the last four years has been an autodidactic process of discovering how the weight, the tensions and the structure of the net can get transformed into an art piece.

Lynnie’s style is a distinctive one, where a bold bright colour palate is used to great effect in the playful charismatic characters she creates. The development of these characters is the driving force of her work; producing mysterious, seductive creatures and powerful femme fatales. Women are mostly the subject of her pieces ­which she brings to life using ink, paint and paint pens. By working spontaneously the personalities evolve naturally into striking and engaging images which both shock and amuse, but always stimulate the eye.