Creator of a bunch of books including a series of faux illustrated Biographies, and illustrator for clients like The Atlantic, The New York Times, Tatler, Coors, Cartoon Network, Disney, Globe and Mail, and whatnot and on and on. Goes places, does things, but could and should more.

Matthew Brandt (b. 1982, Los Angeles) received his BFA from Cooper Union in 2004 and MFA from the University of California Los Angeles (UCLA) in 2008. Interested in physicality, process and landscape, Brandt’s ability to stretch the readings of an image, multiplying them both physically and conceptually, speaks directly to his interest in how images loom and meanings shift within a shared visual history. His work is the clever manifestation of a photographic alchemist, satisfying the urge for the tangible, and grounding us in the present. Brandt’s precocious talent has landed him in the permanent collections of the Los Angeles County Museum of Art (LACMA), the Armand Hammer Museum (Los Angeles) and the Elton John Collection. He currently lives and works in Los Angeles.

Corriette Schoenaerts is an artist who works primarily with photography. She works in the fields of autonomous, fashion and commercial photography refusing to draw any finite distinctions between these fields.

Marcel van Eeden was born in Den Haag, The Netherlands, in 1965. He Lives in Zurich and Den Haag. He mainly makes drawings, but also sculptures, installations, animations and recently even a game. His forthcoming solo exhibition, “ Cell Physiological Work with the Amoeba Chaos Chaos”, will be at Galerie Zink, Berlin, from 21 April to 2 June 2012. In March his work “The Photographer, 1945-1947” will be part of the show “Art and Press” at the Martin-Gropius-Bau in Berlin.

My work is an ongoing exploration across media, ranges from performance, drawing, painting, and photography. In my artistic practice, I contemplate about the role of materials,  various media, the body, and performative elements in the process of mark making gestures. I am interested in expressing ideas about how the notion of identity, displacement, and memory are held in the body.  I develop performative methods that break down boundaries between various disciplines. Through Inter-media performative practice, I incorporate the body as a material, object, and subject. I utilize the camera as a tool to capture and record my studio and staged performances, as well as activating time, space and light with body movement.
  I'm interested in the complexity of performative documentation, and the potential of both traditional and new advanced media in these representations.