Genevieve Lutkin is an artist based in London and graduate from the Royal College of Art Moving Image and Photography MA programmes. Working in photography and moving image, her work has been exhibited at galleries such as TATE Modern, Mimar Sinan Contemporary Art Museum Istanbul, Pump House Gallery London, Focal Point Gallery Southend and screened at festivals such as UnderWire Film Festival and Alchemy Moving Image Festival. She has also been involved with the Tomma Rum artist residency in Skellefteå, Sweden and has presented research examining ‘The Uncanny’ within moving image at the Academy of Finland and Finnish Anthropological Society interdisciplinary conference in Helsinki, Finland.
Amanda Eliasson is a Swedish animation director based in London. Her work place primary interest in hand generated processes.
She recently graduated with an MA in animation from the Royal College of Art, London. Now she’s a freelance animation director in the UK.
“Since I started animating I’ve developed an interest in making flat images transport the viewer into a three dimensional space. I would say my style is playful and naive in contrast to the difficult social subjects I often address in my films”.
I have been working in the art world for the past eight years. An advocate for artists since a young age, I managed my first art gallery in Los Angeles at age 23 and finally created my current business, MTArt Agency, to promote the artists she believed in across the globe. MTArt is the first artist agency in the world, the agency specialises in talent management: building, growing and accelerating careers while financing the studio costs of its artists.
Kristine is an independent visualise designer. She has an insatiable passion and a fondness for visual communication, social observation, typography, colours grammar, and concept-driven projects. Mainly works on all kind of from conception to completion such as editorial, printing, publication, book art, all printed matter, concept development, UI design and art direction.
She believes good design comes from unlimited questioning, challenging convention and creating and collecting innovative methods to solve visual tasks into an unique ways. The process is often based on a strong idea or a fundamental concept which exploited to the maximum with no preconceptions. To emphasis that it is concept-driven design; the form is often learning towards anti-esthetics. It is a paradox that this actually is an esthestic in itself.
She is especially interested in concept-based project and investigating the interdisciplinary design methodologies into visual grammar. Mainly focus on challenging the forms/ platforms of visual communication from conception to completion.