Jiaqing Mo is a Chinese artist based on London, her work centres film, installation, performance to create immersive theatrical installations with video. The theme is about relationship, time, endless, instability...She try to the relationship between objects and human life by using strange human action or human-made objects.

Nicole Chui is a freelance embroidery artist and designer based in Hackney. Her embroidery art is described as messy, brash, and disruptive. She has worked with the likes of Converse, Nike, Gal-dem and Parlophone. In 2019, she was named one of the future faces under 25 by the Evening Standard. 

Vanessa Pelz-Sharpe is a writer and broadcaster. Born and bred in London, she has written for a number of independent magazines and newspapers, including The Guardian, Illustrated Ape, and Pen Pusher, and was Contributing Editor for literary magazine Full Moon Empty Sports Bag. She co-hosts Letters You Never Sent, a monthly literary radio show on NTS. Pelz-Sharpe recently won a Cosmopolitan Magazine Blog Award for her blog Nightmares and Boners and is currently working on her first novel.

Genevieve Lutkin is an artist based in London and graduate from the Royal College of Art Moving Image and Photography MA programmes. Working in photography and moving image, her work has been exhibited at galleries such as TATE Modern, Mimar Sinan Contemporary Art Museum Istanbul, Pump House Gallery London, Focal Point Gallery Southend and screened at festivals such as UnderWire Film Festival and Alchemy Moving Image Festival. She has also been involved with the Tomma Rum artist residency in Skellefteå, Sweden and has presented research examining ‘The Uncanny’ within moving image at the Academy of Finland and Finnish Anthropological Society interdisciplinary conference in Helsinki, Finland.

Inês Rebelo (1981, Lisbon) is a visual artist with a MFA in Fine Art from Goldsmiths College, London. She works in painting, drawing and installation and is interested in the parallel stories that can arise in our relationship with mundane and overlooked ordinary objects, often looking at the relationship between scientific facts and the empirical experience of everyday moments.