Senior Art Director + Designer at Communion Studio Originally from Hong Kong, lived in New Zealand Now living and working in London

Elizabeth Gabrielle Lee is an artist, researcher and writer. Her practice is guided by the iterations of slow violence and the dynamic between the ‘near’ and ‘elsewhere’. In attempting to disarm instruments of knowledge production, her practice shies away from reduction and completion. Steering away from essentialisms, she is interested in once-forgotten micro and muted narratives. By revisioning fractured traditions, she engages with visual and textual interventions to navigate the nuances of perception and retention. Lee also runs XING, a research platform centered on the poetics and politics of Southeast and East Asian art practices. Assuming form of a shapeshifter, it morphs between localities and temporalities; with(in)flux. A domain of not-yet possibilities, the platform attempts to dismantle matrices concerned with the region from non-dominant perspectives.

Based in London, Irish artist Claudine O’Sullivan has gained industry spotlight for her distinctive hand drawn illustrations, featured in the worldwide Apple Pencil campaign, which has won the 2017 World Illustration Awards Professional Advertising category. Her uniquely traditional drawing style has appealed to established brands such as MTV, Island Records, WeTransfer, Tiger Beer and Derwent Pencils. Claudine graduated from University of the Arts London with a First Class Honours degree in Graphic Design. Her adaptable, design focused approach to art is reflected in the diversity of her commercial portfolio and client base.

Fine art photographer, Editor in Chief of Terra Firma magazine, curator, designer, publisher, creator, maker, thinker, dreamer.

I am a young product designer based between London and the village of Dedham in the rural East of England. My portfolio of work is as diverse as my professional experience. From the health sector to furniture, I aim to create products that engage with users on a human level, achieving a visual warmth that is often missing from modern design.