About Noriko
Based in London and Kyoto, Okaku explores the laws and transcendent forces that shape the world. Integrating theoretical frameworks from philosophy, religious studies, quantum mechanics, and information thermodynamics with myths, legends, and occult folklore, she combines collage, animation, VR, and AI technologies and performance to create works that encourage active participation from the audience and present diverse perspectives.
http://www.norikookaku.com
Current city: Kyoto
Other cities: London
Based in London and Kyoto, Okaku explores the laws and transcendent forces that shape the world. Integrating theoretical frameworks from philosophy, religious studies, quantum mechanics, and information thermodynamics with myths, legends, and occult folklore, she combines collage, animation, VR, and AI technologies and performance to create works that encourage active participation from the audience and present diverse perspectives.
 
Kyoto's summers are famously hot, but if you take the Eizan Railway and get off at Yase-Hieizanguchi Station, you'll find a spot along the Takano river where you can cool off, enjoy a barbecue, or relax by the water with a drink and read. This spot is particularly recommended for those staying in Kyoto long-term rather than for short-term tourists.
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This is a local liquor store that has been here since before I was born, offering not only alcohol but also rice, tobacco, and other daily necessities. The owner, who is always there in the mornings and afternoons, is a very friendly and wonderful person. You can buy and drink inside the store, and smoking is allowed as well. I often see people gathering to enjoy a drink, smoke, and have casual conversations with the owner. This kind of super-local, cozy atmosphere is one of my favorite things about the place.
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Monade Contemporary is a hidden gem of a gallery located in the Gion area of Kyoto. Despite its small size, it leverages the extensive network of its curator, Mr. Atsumi, to host exhibitions featuring a diverse range of fascinating artists from both Japan and abroad. Nestled in the basement of a multi-tenant building, the compact space exudes a unique charm, offering visitors an exciting sense of discovery.
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When it comes to Zen gardens that represent Kyoto, the rock garden of Ryoan-ji, established in 1460, is the most famous. It features 15 stones arranged in a way that one stone is always hidden, no matter the angle from which it is viewed. This design symbolises the Zen philosophy that "nothing is perfect or complete." While Kyoto has other well-known Zen gardens, this time I introduce Ryoan-ji, the most famous of them all. Visiting in conjunction with Murin-an allows you to experience the contrasting philosophical approaches to nature in Zen gardens and Murin-an, making it a highly recommended pairing. Opening Hours: 8:00 AM to 5:00 PM (subject to change depending on the season) Admission Fee: General ¥500 (please check the official website for details)
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The Murin-an Garden is a Japanese garden designed by Jihei Ogawa VII, one of the most renowned garden designers of the Meiji era. Established in 1894, it is a relatively modern garden by Kyoto standards, yet its beauty makes it well worth a visit. The garden employs the technique of "borrowed scenery," seamlessly incorporating the surrounding natural landscapes and the flow of water, showcasing Jihei Ogawa's innovative approach as a pioneer of "naturalistic gardens." While Zen gardens are particularly famous in Kyoto, comparing them with Murin-an allows visitors to appreciate the distinctive features of each. This comparison enriches the experience of explorin Japanese gardens. Admission Fee: General admission ¥500 (please check the official website for details). Opening Hours: Usually 9:00 AM to 5:00 PM (subject to change depending on the season or events).
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I'm a London-based documentary and travel photographer, dividing my time between commercial commissions and personal projects. 
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Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.
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Milène Larsson is an award-winning, seasoned international news, current affairs and documentary producer/director/reporter covering issues spanning from the environment, gender norms, women’s social status and civil rights, to culture, travel and migration, which she has reported on extensively in the British Media Awards winning documentary series Europe or Die. She’s currently co-Head of Video for VICE and based in London.
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