Born and raised in Cardiff, James Davies is a photographer who has lived in London for 13 years. His work centres around the impact of the city upon its citizens and its citizens upon the city, as well as the wider social, economic and political themes that affect daily life in Britain. His most recent series, The Sclerosis of Existence, looks to explore the relationship between the people and the places of a city when seen through the repetition of daily routine.

Polly Brown is a London based artist, and photographer. Having graduated from Central St Martins in 2009, after studying Fine Art & Conceptual Theory, Polly has worked throughout the art, fashion and music industry, creating concept lead visual projects. Polly's work often looks at the small unnoticed aspects of life and the world around us. Unpicking and re focusing on the small elements that make up a greater whole. Projects range from editorial, photo essays to short films. Clients have included ICA, Dazed and Confused, Kris Van Assche and DIESEL to name a few. Polly has an ongoing project called PLANTS which sees her photograph iconic brands office foliage. Originally commissioned by Ronnie's Woods Whisper Gallery the project includes some of the worlds largest corporations and is ever expanding.

Brought up in the Cotswolds, Oliver began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. His first solo exhibition entitled Volte-face will premier at London's Royal Geographical Society in September 2016. Taken over a period of four years, Volte-face is a series of images taken at the world’s most photographed historic sites, buildings and monuments - but looking away from them. To coincide with the exhibition at the RGS a book of the project, featuring an essay by Geoff Dyer, will be published by Dewi Lewis Publishing Ltd. Oliver continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He cites as key influences William Eggleston, Saul Leiter and Andre Kertesz. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner’s The Wedding Date, Frank Oz’s Death At A Funeral and Joanna Hogg’s Unrelated as well as experimental gallery-based installations such as Gideon Koppel’s Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L’Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury’s.

Robin Brown is a visual artist and set designer who specialises in creating tangible landscapes, fictional settings, exacting period recreations, drawing character and narrative through environment. 

'Matthew's classwork has been of an excellent standard this term, reaching Level 2 in both Reading and Maths, and yet his progress is being hindered by his constant chatter with those around him. Having started the year extremely positively, he has become increasingly less focused on his work and more and more preoccupied with playtime.'