Creative: Art Direction & Photography

Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.

For the last six months, I have been a strange tourist in Munich. I came here to work in a studio and had not so much time to visit it properly. But I partly came in Germany because I was interested in its specific creative approach: it’s precision and rigorousity. In it’s system culture in a way. And indeed it’s a very intellectual society, ruled by color codes and order. It was definitely funny to see that these things are visible in many daily aspects of life. Or maybe it’s just me wanting to see them... Very soon, I will move to London - where I would like to do some freelance work, in product, furniture and space design.

Illustrator and designer Melvin Galapon was born in the South of England in 1981, yet hails from Burnley a small town in the Northwest of England. A graduate from Central St. Martin’s he has worked with the likes of Wallpaper*, The New York Times, Nike and Nokia to name but a few. He has been featured in various magazines worldwide and has exhibited in Tokyo, London and Singapore. Galapon is currently based in London where he works on a prolific mix of Illustrations, Installations and Design work.

Nigel Howlett lives and works in London. He has developed a graphite cartoony style of drawing which references early Disney movies and painters such as the American artist Peter Saul. Howlett depicts hairy characters, acting out scenarios that reflect familiar social anxieties and conditions. Always humorous and sometimes sinister, common themes in the work include our obsession with technology and our relationship with social media. Nigel also runs a set design practice working with clients which include the BBC, channel 4, Issey Miyake and Nike. In 2015 he co-founded Nan Studios, a Photographic and creative studio in Clapton East London.