Carla Borel is a London based portrait and fine art photographer. Her personal work addresses themes of transience, identity, community, isolation and loneliness. Her Stillsoho series has been described by Town magazine 'as one of the most iconic portrayals of London in recent years.' Born in Paris, raised in Las Vegas and a Hampshire village, she was formerly a croupier in Mayfair casinos; a bar tender at the French House in Soho; production assistant to legendary advertising photographer John Claridge; a gallery girl in London’s art world, working with influential curator Emma Dexter; and assistant to Beat Generation expert, Barry Miles. Her work has been published in AnOther Man, Harper's Bazaar, German Vogue, L'Uomo Vogue, Port, Town, Elephant, the Daily Telegraph and the Guardian. She recently had a solo exhibition of male portraits, Homme Libre, in London, was in the London Calling Photocopy Club exhibition and was included in Conceal/Reveal at Photo Oxford. 

Sirli Raitma is a London based photographer. Sirli’s images span portraiture, landscapes and interiors, but portraiture – especially involving ambiguity via costume or displacement – is her heartland.

Architect and printmaker artist based in London, whose works have been exhibited at Royal Academy of Arts, Woolwich Contemporary Print Fair, amongst others. Freelance writer for the Wrong Journal.

Filmmaker and Photographer

Kristine is an independent visualise designer. She has an insatiable passion and a fondness for visual communication, social observation, typography, colours grammar, and concept-driven projects. Mainly works on all kind of from conception to completion such as editorial, printing, publication, book art, all printed matter, concept development, UI design and art direction. She believes good design comes from unlimited questioning, challenging convention and creating and collecting innovative methods to solve visual tasks into an unique ways. The process is often based on a strong idea or a fundamental concept which exploited to the maximum with no preconceptions. To emphasis that it is concept-driven design; the form is often learning towards anti-esthetics. It is a paradox that this actually is an esthestic in itself. She is especially interested in concept-based project and investigating the interdisciplinary design methodologies into visual grammar. Mainly focus on challenging the forms/ platforms of visual communication from conception to completion.