Designer. Lover of the weird and the wonderful.

Grace Helmer is a Brighton-born, London-based illustrator and artist. She has put her paintbrushes to work for a range of clients, such as Apple, Google, Octopus Books and HarvardX. Natural forms, people watching and a sense of adventure inspire Grace’s playful and colourful work. Her compositions capture the feeling of discovery when you visit somewhere for the first time, and celebrate the beauty in the everyday.

Lynnie’s style is a distinctive one, where a bold bright colour palate is used to great effect in the playful charismatic characters she creates. The development of these characters is the driving force of her work; producing mysterious, seductive creatures and powerful femme fatales. Women are mostly the subject of her pieces ­which she brings to life using ink, paint and paint pens. By working spontaneously the personalities evolve naturally into striking and engaging images which both shock and amuse, but always stimulate the eye.

I am a creative director and music producer living in London. Under the name “Klint” I've written and produced music for films and trailers such as Guy Ritchie’s Snatch, The Devil Wears Prada, Seven Psychopaths and The Monuments Men. In 2004 I co-founded Specialten, a music and film dvd magazine and in 2009 File magazine, an online film, art and design publication. My latest project is citylikeyou.

Kristine is an independent visualise designer. She has an insatiable passion and a fondness for visual communication, social observation, typography, colours grammar, and concept-driven projects. Mainly works on all kind of from conception to completion such as editorial, printing, publication, book art, all printed matter, concept development, UI design and art direction. She believes good design comes from unlimited questioning, challenging convention and creating and collecting innovative methods to solve visual tasks into an unique ways. The process is often based on a strong idea or a fundamental concept which exploited to the maximum with no preconceptions. To emphasis that it is concept-driven design; the form is often learning towards anti-esthetics. It is a paradox that this actually is an esthestic in itself. She is especially interested in concept-based project and investigating the interdisciplinary design methodologies into visual grammar. Mainly focus on challenging the forms/ platforms of visual communication from conception to completion.