Always pushing boundaries, you can expect the unexpected with 20 year old alternative pop artist Maggie Andrew. Meshing together various sounds and unique melodies, “Maggie makes music with teeth.” as described in an article with Pigeons & Planes.

Sean Pecknold is a film director and stop-motion artist who has created music videos and commercials for the likes of Fleet Foxes, Grizzly Bear, BBC and the New York Times. He explores existential conundrums in his work, often using mystical or surreal imagery and stop-motion and mixed-media animation. On the road is where he feels the most at home. He grew up in Seattle, spent some time living in New York, and now lives in Los Angeles. He runs Sing-Sing studio in Los Angeles with Adi Goodrich.

Los Angeles-based graphic designer specializing in typography and digital design. I graduated from the University of Southern California with a BA in Design. Currently designing social and digital campaigns for movies at Watson.

Alison O’Daniel is a visual artist and filmmaker working across sound, narrative, sculpture, installation and performance. Her projects, screenings, and performances have been included in Made in LA 2018, Hammer Museum; The Infinite Ear, The Garage Museum of Contemporary Art, Moscow; Performa, New York; Exchange Value, Los Angeles Nomadic Division; and Louder than Words, the Zuckerman Museum, Atlanta, GA. Solo exhibitions include Skaters’ Score, commissioned by JOAN with support from the Mike Kelley Foundation for the Arts; The Bemis Center for Contemporary Arts, Omaha; Studio 13-16 project and screening at the Centre Pompidou, Paris; Shulamit Nazarian, Los Angeles; Art In General, New York; Samuel Freeman Gallery, Los Angeles; Centre d’Art Contemporain Passerelle, Brest, France. She is a recipient of grants from Creative Capital, the Rema Hort Mann Foundation; Center for Cultural Innovation; California Community Foundation, and more.

Matthew Brandt (b. 1982, Los Angeles) received his BFA from Cooper Union in 2004 and MFA from the University of California Los Angeles (UCLA) in 2008. Interested in physicality, process and landscape, Brandt’s ability to stretch the readings of an image, multiplying them both physically and conceptually, speaks directly to his interest in how images loom and meanings shift within a shared visual history. His work is the clever manifestation of a photographic alchemist, satisfying the urge for the tangible, and grounding us in the present. Brandt’s precocious talent has landed him in the permanent collections of the Los Angeles County Museum of Art (LACMA), the Armand Hammer Museum (Los Angeles) and the Elton John Collection. He currently lives and works in Los Angeles.