Clo’e Floirat is an author and illustrator. She began her rigorous training in New York, fleetingly leaving France to then attend the Design Academies of Reims and Eindhoven, Netherlands. This led her to Berlin, working with architects specializing in art spaces for another five years. From working with Robert Wilson as well as Rufus Wainwright in New York for several years, her interests have recently culminated in her graduation from the new master in Critical Writing in Art at the Royal College of Art, London. She has become known for her signature drawings - a combination of drawing and writing with a critical orientation, into what she calls drawing Crit’writing - that cast a critical, humorous and refreshing look on the world of contemporary art. Clo’e is a regular contributor to various publications, e.g., art press, Frieze, Intramuros, l’Officiel Art and the World of Interiors. She is a special guest at Monumenta - Grand Palais in Paris since 2011, where she draws and writes along side major contemporary artists such as Anish Kapoor, Daniel Buren, Ilya and Emilia Kabakov. More recently Art Brussels has invited her for a live critical drawing installation on the walls of the art fair. In 2016 Kamel Mennour feat. Clo'e Floirat. A unique collaboration to take a closer look at his 2016 gallery program resulting in a solo exhibition at Kamel Mennour gallery - rue Saint André des Arts Paris 7ème. In March 2016, Clo’e released her first book Pas mal pour de l’art with Marabout editions - Marabulles. This new publication constitutes a unique portrait of gallery and museum-goers, drawn with humor and perceptiveness. Selected clients: Colette, Hermès, Illycaffè, La Ville de Paris, Pierre Hermé, SNCF, MAH!, Emeco, Ketel One, Droog Design. Selected publishers: art press, Marabout, Gallimard, Frieze, Designo, Intramuros, l’Officiel Art, the World of Interiors, Eyrolles.

I am a Los Angeles based photographer that shoots film. I also enjoy gardening and cooking.

Woche is a collection of jewelry that can be worn on a daily basis until it almost becomes second skin. Its name translates to ‘week’ in German. Wearing these pieces makes them adjust to the body, with small changes in patina, colour and shape.  The Belgian label, established in 2016 by Clarisse Bruynbroeck, does not work according to a seasonal approach but rather evolves through time as an unfettered collection. Coincidence and imperfection are aspects that return within the handmade pieces, in shape, material and technique. The apparent fragility only contributes to the aesthetics and does not affect the wearability of the jewelry.

An artist working primarily in photography, Laura Letinsky’s ideas and work are formed through a perspective that avails, perhaps insists upon, a particular kind of attention to the act of looking and of picturing. While materially different, in her photographic work, as with materials including porcelain and textiles, she wrangles with the personal and the intimate as it is visually, experientially, and quantitatively defined- and thus, confined-- by the social and the public. Along with making and thinking about art, teaching, designing (clothes, household items), growing (mostly vegetables), endorphins (running), and being a mom, she wonders what to eat for dinner tonight. A Professor at the University of Chicago since 1994, she’s received numerous awards including, recently, the Canada Council International Residency, Kunstlerhaus Bethanien, Berlin. She's numerous publications including six monographs, her most recent book is Time's Assignation, Radius Books, 2017.

New Haven