Los Angeles-based artist Eric Yahnker seems to have a very odd and dark sense of humour which is reflected in almost all of his works of art. His mixed media and collage masterpieces combine traditional and classic images with some twisted humor and caustic wit. He received his B.F.A. in animation from the California Institute Of Arts and studied journalism at University of Southern California. Eric Yahnker lives and work in Los Angeles, California.

I'm a fashion illustrator based in Poznań.

Type and motion-led graphic designer currently based in London, specialising in brand and editorial.

Johanna Goodman is an Artist and Illustrator whose work seeks to explore a range of themes in popular culture including the role of the individual in fashion, in history, and in the artistic imagination. Her work draws its inspiration from Magical Realism, Surrealism, and Symbolism and references such cultural artifacts as talismans, idols, and totems. Goodman's work can be seen on posters installed in Subway stations throughout NYC, on skateboards, magazine covers, textiles, ceramics and a gallery wall near you. Her work has been featured in Marie Claire in France, The Guardian in London, Farhenheit Magazine in Mexico, Ms. and Bust in the US and on design blogs like Trendland, Colossal, Vice's The Creator's Project, The Jealous Curator, and the Fox is Black.

At the intersection of fashion, photography, film, stagecraft, and design, artist Marina Fini creates hallucinatory, alternative worlds. Based in California, she collaborates with friends and artists alike in the staging of these otherworldly scenes, using colorful costumes and her own handmade, plexiglass jewelry to turn her photographic subjects into ethereal cyber goddesses. When asked how she builds these characters, Fini remarked, “there’s something about transforming someone into someone they wouldn’t normally be … that is, creating an extension of themselves that I see in them.” All of her characters exude a captivating power, like the whimsical and intangible figures seen through a psychedelic dream. By exploring alternative selves in familiar contexts – a convenience store, or the Californian seaside, for example – Fini explores how subjecthood is fluid, and how such creative “shape-shifting” can alter the way we perceive our immediate reality.