Phuc was born in Vietnam and raised in Denmark. He has a background as a graphic designer and works in the intersection of design, art and culture. His multicultural background truly comes to life in his works, which is a beautiful fusion of two worlds. Phuc is passioned about Street Art – he creates modern fables with his fabulous figurative tales, which the viewer can reflect upon. Phuc Van Dang’s works are all based on original concepts, with Phucs unique touch of personal style and storytelling. There is a lot of consideration behind every details and in the choice of materials. Phuc has exhibited in New York, Saigon, Barcelona, Tokyo and several places in Denmark.  Phuc has received Statens Kunstråds Huskunstordning and from the State Art Foundation for the exchange of culture between Denmark and Vietnam.

Romina De Novellis is a performance artist, born in Naples, grown-up in Rome, lives and works in Paris since 2008. Her work is represented by Galerie Alberta Pane (Paris/Venice), Kreemart (NYC), D.A.F.NA. (Naples).

Romain Tardy has been active in the visual art scene since 2008. Today his work is shown all over the world and most often conceived as poetic sensory experiences using light, video mapping, physical objects and sound. They question our relationship to technological and digital developments and their repercussions on society. As well as his personal creations, he does creative and art direction, art consulting, and he is invited to do workshops and lectures in art schools and universities on a regular basis.

COLOR / STORY Brandi Katherine Herrera is a multidisciplinary artist, poet, and translator, whose work in text, image, and sound explores the poetics of space. She is the author of Mutterfarbe, a full-length work of color theory, experimental translation, photography, and poems using Johann Wolfgang von Goethe’s Zur Farbenlehre as a primary source; and Natürlicher, a chapbook-length work of color theory, experimental translation, and poems (both Broken Cloud Press, 2016); a co-author of MAR, a collaborative artist book + limited-edition chapbook of photography, marrings, and poems (Lute & Cleat, 2018); and the co-editor of The Lake Rises, a Witness Post Series anthology of poems (Stockport Flats, 2013). Her work is held in the Seattle Art Museum’s permanent collection, Yale University’s Faber Birren Collection of Books on Color, UCLA’s Louise M. Darling Library, University at Buffalo’s Poetry Collection, and Reed College’s Special Collections & Archives, and has been featured in a number of solo + group exhibitions, performance series, and publications, including: the Seattle Art Museum, Cube Gallery, 23 Sandy Gallery, Creative Mornings, Poetry Press Week, Pure Surface, The Volta, Octopus Magazine, The Common, Poor Claudia, Word/For Word, Thru Magazine, Borderlands Texas Poetry Review, and Womenspeak PDX.

My works can be described as ‘post-graffiti art’. The approach, attitude and application of my designs are heavily influenced by graffiti and street art. I am fascinated by today’s zeitgeist but am also critical about it. Street art is an art movement in which many inspiring things are happening and where I feel at home. With a spray I can visually express what I cannot do with a pencil. However, I would like to go deeper than the sometimes superficial appearance of graffiti and street art and highlight those aspects that make the viewer think. I would like to express my thoughts visually, either in a clear statement or in an experiment with a still unknown outcome, which can lead to something new.