Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.

I paint people. Mainly women...dancing and feeling lots of emotions.

Lucas Levitan is an illustrator today, filmmaker last week, photographer last month and art director last year. A new cycle might start again soon. A few years ago, whilst lunch break walking on Redchurch Street in East London, a brick fell from the 4th floor scaffolding of a building site and missed his head by millimeters. It made him think he should be doing more or what he loves, drawing. It was a turning point. That same moment he went back to the office he used to work for and resigned. Now he's lost and happier.

Lisa Carletta is a Belgian Director and Photographer based in Milan. She completed a Master in Fine Art at Royal College of Art in 2017 where she developed digital work and 3D animation. Recurring themes in her work are often taken from her personal life, in which memories of her own experiences take a central role, revealing common human insecurities and anxieties.  Lisa’s work fabricates a fantasy world where nothing is what it seems. 

Photographer Mia Haggi is a seasoned global nomad, moving through countries with the ease of someone who, as a former model, changes outfits. Originally from Tallinn, Estonia, Mia attended art school to study fashion design and photography before pursuing a modelling career — a step that allowed her to traipse around the world and lead her back, eventually, to photography.  Heavily inspired by dreams, darkness and fantasies, the photographer expertly weaves narratives into her imagery, getting close enough to her subjects to decrypt the intensity in their expressions and the vulnerability of their posture. Her unforgettable work leaves a lasting impression on her audience, leading to collaborations with brands like Nike, Adidas, Lulu Lemon, Lane Crawford and more, as well as numerous exhibitions and features worldwide. While it’s hard to pin down her exact location, her Instagram hints that she’s currently bouncing between Bangkok, Lisbon and Hong Kong … Words by Kala Barba-Court