British illustrator living in Denver

Micaela McLucas is a filmmaker and artist based between Los Angeles, Paris and London. She studied at the Université Paris 1 Panthéon Sorbonne and completed her MFA in Contemporary Photography at Central Saint Martins in London. Raised between Argentina and LA, always on an airplane, always out of context. Three passports, four languages, learned every life lesson by getting kicked in the teeth, which is why her work hits the way it does. Her influences range from trash TV to French philosophy and cinema has always been the core obsession. Her work moves between fashion, theory and lived experience in ways that feel both precise and unruly. The world she builds is psychedelic, intimate and unapologetically feminine. She mines her own life for material and uses it to collapse fantasy and confession. Everything is neon soaked, surreal and intrusive, not to escape reality but to pierce it. She's currently writing and developing her first feature film while continuing her studio practice.

Camila Pinheiro is a brazilian artist based in São Paulo. ​ "The appealing use of clean lines, negative space and tropical colours in Camila Pinheiro's distinctive illustrations hint at the Brazilian artist's South American roots and high fashion background. ​ She began her career studying fashion in São Paulo, before landing a job with Dior and then as a "cool hunter" for a range of brands. It was during that stint that she realised she wanted to know more about the branding behind the luxury labels, and that's when she decided to become a designer and illustrator. After a little more studying under her belt, she worked for various branding agencies for six years and then decided to launch her own studio. ​ Everything she produces has to have a narrative, a habit she developed in the marketing industry. Her influences range from Magritte, Matisse and Mondrian to Alexander Girard and Michael Roberts." ​ Katy Cowan - Founding Editor of Creative Boom

Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.

constanza vallese