Marinos was born (1984) and raised on the island of Crete. He studied Contemporary Photography & Visual Arts at "Stereosis" School of Photography. Since 2014, he is a member of the artistic collective “Depression Era” that inhabits the urban and social landscape of the economic crisis in his home country. His work has been featured in numerous exhibitions and international festivals, including Mois De La Photo (Paris), Jeju Biennale (South Korea), Unseen (Amsterdam), Fotofilmic (L.A & Vancouver), Athens Photo Festival, Biennale of Contemporary Art of Thessaloniki, and several galleries in Europe, and the USA. Part of his artwork belongs to international private and archival collections. In 2017, it was published his first (sold-out) photobook, "Paradise Inn", by Void.

Istanbul born artist Eylül Aslan has started with photography at an early age as a way to escape the patriarchal system she was born in. Having been introduced to feminism and human rights by her politician and activist mother, she took on photography to express herself  and created a visual world of her own. Her art has taken her to Berlin, Germany where she continued to live and work for 5 years until recently when she finally moved to Vienna, Austria. Her work consists of a play with light and shadow, her fascination on the human body and different forms it takes. Her first two photography books Trauerweide (2014) and Dear Slut (2015) focus on feministic issues, while her latest book Trompe L'Oeil (2017) deals with the subjectivity of beauty, both for men and women."

I am a filmmaker and photographer from London. In 2009 I exhibited my reportage America project 88 Days at Bloomsbury's Orange Dot Gallery. Having recently finished a 35mm 15-minute short, I am now writing a feature film. I am also currently organising my next photographic exhibition, Sweet India, which I made last summer.

I was born in St Petersburg, then, at 11, moved to Siberia where I have lived for 12 more years, graduated from a local university before returning to my hometown in 1998. I took various jobs there before finally turning to photography. From last August I am based in Moscow, a mad metropolis full of contrasts, energy and drama at every corner. In terms of urban design and architecture, many consider it a failed city, and you really have to know it from the inside to be able to appreciate its vibrance and dynamics. In this nostalgic picture (by Savva Bogatyrev), I am on a tram back in St Pete with my wife Veronika.

Throughout my practice, there is a propensity to capture an exact unit of time: a tear about to drop off a face, a swimmer’s cheek momentarily skimming the water, a point of suspension in a pas de deux. Time is my main interest. I think every artistic medium uses time in a different way. This is reflected in my preference for shooting with analogue film and producing hand-made prints, making each one the product of an intimate, time-consuming process. I like to create feeling in my photographs. Tactile, sensorial and often sensual, my work surges with human connection.