Drawing on Everything.

Kent Rogowski is an artist/photographer living and working in Brooklyn, NY. Kent’s works are often provocative and whimsical manipulations of objects and images that surround us in our daily lives. From teddy bears to jigsaw puzzles and self-help books, he uses and alters mass-produced consumer products as a vehicle for self-expression. By transforming the generic into something personal, Kent questions what these products communicate, and also what role they play in our culture. His first monograph, Bears, was published by powerHouse books in 2007. He has shown his work both nationally and internationally with solo shows in New York at the Jen Bekman Gallery and the Foley Gallery and the In Focus Gallery in Cologne, Germany. In 2000, Kent received his MFA from the Rhode Island School of Design, where he is now a Senior Critic. He has also taught at The Pratt Institute and The School of Visual Arts in New York.

Daniela Spector studied photography in Miami and escaped the heat and Pitbull by fleeing to New York where she honed her skills in photography and set up shop. A curious photographer, her work crosses genres with a satirical and formalistic approach.

Chris Ballantyne’s work focuses on vernacular architecture and observation of the American landscape.  Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd.  Ballantyne states that, “Growing up in a military family and moving to different parts of the country, there was a certain familiarity to the kinds of houses and neighborhoods. They were a series of suburban developments built in separate regions of the country, always on the outskirts of larger cities, at the exit ramps of interstate highways, and all very similar in age and design.  My own notions of space developed out of this cultural landscape which was striving for an indidvidual sense of personal space,  consciously economic, and somewhere between urban and rural.” Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. “Most of my works involve combinations of various places, drawn from memory. As well, my own interests in skateboarding and surfing altered how I saw  the use of these structures ranging from empty pools, sidewalk curbs, to ocean jetties in a way that tied in to my sense of this larger push and pull between culture and nature.” With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity. A curious emptiness permeates the work of Chris Ballantyne. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.

Marta Caro is a Barcelona-born graphic designer and art director currently living and working in New York, USA. Coming from a classic graphic design background, her work spans from interactive, branding and editorial design to art direction. Nowadays she works at The Line as lead designer. Say hi! hello(at)martacaro.com