About Nidhi
I am a designer and a maker. I live in Brooklyn with my husband and two daughters. I paint and write when I find small pockets of time.
http://iamnidhi.com
Current city: New York
I am a designer and a maker. I live in Brooklyn with my husband and two daughters. I paint and write when I find small pockets of time.
 

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Jessica Yatrofsky is a New York-based photographer, filmmaker and author, known for work exploring body politics, beauty, and gender. She received her MFA from Parsons the New School for Design and published her first photography monograph, I Heart Boy, with powerHouse Books in 2010 and her sec-ond photography monograph, I Heart Girl, in 2015. In 2017, she published her debut collection of poetry titled Pink Privacy. Jessica’s photographic work is part of the permanent collection with the Leslie Lohman Museum of Gay and Lesbian Art and the Musem of Sex in New York City. Her photography work has been exhibited overseas and her film work has been both televised and screened at film festivals internationally. Jessica’s writing has also been featured in publications such as Forbes and New York Magazine.
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I am an Illustrator and Graphic Designer in Brooklyn, New York. I was born in Calcutta, India and studied Electrical Engineering in college. After working for a decade as an Engineer as well as an Analyst/Programmer in Information Technology, with a not so secret passion for Architecture and Interior Design, I changed careers to find a job that was "more creative" and fulfilling. I went back to school in New York City to study and subsequently work as a graphic designer. Currently, I am pursuing Illustration full time out of my studio in Bushwick, Brooklyn.
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Chris Ballantyne’s work focuses on vernacular architecture and observation of the American landscape.  Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd.  Ballantyne states that, “Growing up in a military family and moving to different parts of the country, there was a certain familiarity to the kinds of houses and neighborhoods. They were a series of suburban developments built in separate regions of the country, always on the outskirts of larger cities, at the exit ramps of interstate highways, and all very similar in age and design.  My own notions of space developed out of this cultural landscape which was striving for an indidvidual sense of personal space,  consciously economic, and somewhere between urban and rural.” Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. “Most of my works involve combinations of various places, drawn from memory. As well, my own interests in skateboarding and surfing altered how I saw  the use of these structures ranging from empty pools, sidewalk curbs, to ocean jetties in a way that tied in to my sense of this larger push and pull between culture and nature.” With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity. A curious emptiness permeates the work of Chris Ballantyne. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.
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Bosco Sodi is known for his richly textured, vividly colored large-scale paintings. Sodi has discovered an emotive power within the essential crudeness of the materials that he uses to execute his paintings. Focusing on material exploration, the creative gesture, and the spiritual connection between the artist and his work, Sodi seeks to transcend conceptual barriers. Sodi leaves many of his paintings untitled, with the intention of removing any predisposition or connection beyond the work’s immediate existence. The work itself becomes a memory and a relic symbolic of the artist’s conversation with the raw material that brought the painting into creation. Sodi’s influences range from l’art informel, looking to artists such as Antoni Tàpies and Jean Dubuffet, to master colorists such as Willem de Kooning, Mark Rothko, and the bright hues of his native heritage.
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Illustrator and designer from Hong Kong living in Brooklyn.
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