Ana (*1993), situated between an idealist wanting to change the world by great concepts and a pessimist firmly believing in our imminent death, currently works on the creative advertising industry. Lately, Ana is haunted by anguish which lusts in (an artistic) practice of inertia, fear, and parabolas of listing meandering thoughts and free associations. Finding herself researching on the topics of productivity and emotional labor, she boils down writings for the sake of it, further elevating her scribbles with design mastery. During the day, particularly from 9 to 5, or later, Ana is a productive producer, always eager for the next task mask. Her works have been exhibited in the privacy of her home and thoughts, some museums such as Het Nieuwe Instituut and EKKM and monthly paychecks. Ana has been ⅓ of we need to talk — an experimental editorial approach to talking as a way of curating. Ana still likes to talk on the phone.

Designer & design shop owner from Brighton UK.

Wade Jeffree is a New York-based Designer and Art Director whose practice is based upon creating long-standing collaborative partnerships built on honesty and purpose within the fields of art, culture, and commerce. He believes in a life where work and play are forever intertwined. As of 2016, he runs a studio with his wife Leta Sobierajski from Brooklyn, New York.

Hi there! Call me a designer, call me an artist, call me maybe... Call me Satori! A designer and artist creating semi-functional play objects that tickle your curiosity ;)

Woche is a collection of jewelry that can be worn on a daily basis until it almost becomes second skin. Its name translates to ‘week’ in German. Wearing these pieces makes them adjust to the body, with small changes in patina, colour and shape.  The Belgian label, established in 2016 by Clarisse Bruynbroeck, does not work according to a seasonal approach but rather evolves through time as an unfettered collection. Coincidence and imperfection are aspects that return within the handmade pieces, in shape, material and technique. The apparent fragility only contributes to the aesthetics and does not affect the wearability of the jewelry.