Ken Hermann is a Danish photographer who works in the fields of portrait, editorial - and commercial photography. An urge to explore photography and different cultures has brought Ken around the world, from secluded regions of India and Ethiopia to the big city landscapes of New York where he has worked for renowned photographers like Brigitte Lacombe and Asger Carlsen. The life in the cities as well as in the more abandon places is a big inspirational source to Ken Hermann and he loves to combine his commercial work with his other true passion- to explore life, people, and cultures. His work has been published by a number of magazines and websites and he is a finalist of this years Hasselblad Masters with his ‘city surfer’ project which is being exhibited in LA, London, New York and Berlin. Based in Copenhagen he works for a diverse range of clients amongst those leading brands, media and agencies.

I'm Sanja Subic, from Ljubljana (Slovenia). I'm 29 year old who worked in advertising industry but pivoted to establish design and photography studio with my partner Matic. We've found our passion in hospitality and food photography last year when we travelled around the globe. 

Chiara Bonetti is a fashion and portrait photographer based in Berlin. She works between Italy and Germany. She studied Communication Design at IUAV in San Marino before moving to Barcelona and finally to Berlin. Chiara´s world is made of unconventional beauty, forgotten details, casual encounters, female bodies, un-staged beauty, unglamorous locations and daily life imperfections. All these elements are combined together in order to enlighten from a different angle the peculiarity of the daily routine, that so often bores/tires us. Among others, her work got featured on the following magazines: Contributors, Kaltblut, Flannelle, Soltice, VICE, and GEO.

Photographer and filmmaker based in London.

Art and portrait photographer based in Johannesburg, South Africa Brett Rubin is a South Africa based photographer & visual artist inspired by the relationship between the structural and the natural, and  particularly how this affects people in both urban and pastoral environments. This forms the focal point of a series titled Auto-Portraits  (2011-ongoing), which aims to capture fleeting glimpses into democratic South Africa taken while travelling at high speeds and utilizing the resulting abstraction that occurs as a rhythmic dissonance to forge an exploration into the country’s contemporary landscape.