Attilia Fattori Franchini is an independent curator and writer based in London. She is co-founder of the online platforms bubblebyte.org and Opening Times and contributes critical essays and reviews to publication such as CURA., Kaleidoscope and Flash Art International. Between 2013 and 2014 she has initiated and curated The Basement a programme in London dedicated to young, unrepresented artists. Attilia is currently working on the second edition of Curva Blu, a residency project in Favignana, Sicily; she is co-curator of ARS17+ the online extension of the exhibition ARS17 currently at Kiasma, Museum of Contemporary Art, Helsinki. Attilia is is also curating BMW Open Work, a new programme of commissions to be launched at Frieze London 2017 and the Emergent section of miart 2018. Recent projects include: Meshes of the Afternoon, Roman Road, London, June, 2017; Céu Torto, Boatos Fine Arts, São Paulo, BR, February 2017; Dawning, Capitán Gallo, Mexico City, MX, February 2017; Morning uber, evening oscillators, Seventeen, London, November 2016; Lonesome Wife, Seventeen, London, October 2016; Europa and the Bull at LambdaLambdaLambda, Pristina, Kosovo, 2016, Oa4s, Temra and David in 4 parts, Sorbus, Helsinki, 2016; Yves Scherer, Snow White and The Huntsman, Mexico City, 2016; Basic Instinct, Seventeen, London, 2015; Guest Curator, Kuvat Academy of Fine Arts, Helsinki, 2015; Bold Tendencies 2015, London.

Alistair Hall is an award-winning graphic designer based in London. He set up his design studio, We Made This, in 2004, and specialises in thoughtful, simple, beautiful graphic design for print. He has made work with clients including Penguin Books, Historic Royal Palaces, Jeremy Tankard Typography, the National Trust and John Lewis.  Alistair is also a co-founder and art director of the children’s literacy charity Ministry of Stories, and its fantastical shop, Hoxton Street Monster Supplies. Alistair has been writing about design and visual culture at wemadethis.co.uk/blog for over ten years. He also teaches at Central Saint Martins and The Sir John Cass School of Art, Architecture and Design; and has given talks about his practice across the UK and overseas. He’s currently researching a book about London’s street nameplates.

Before graduating from Camberwell College of Art in 2009, Thom Stoodley has been working as a Graphic Designer for FreshBritain. With an interest in photography, architecture and fashion his work is varied but is always seeking inspiration from his surroundings.  

Lynnie’s style is a distinctive one, where a bold bright colour palate is used to great effect in the playful charismatic characters she creates. The development of these characters is the driving force of her work; producing mysterious, seductive creatures and powerful femme fatales. Women are mostly the subject of her pieces ­which she brings to life using ink, paint and paint pens. By working spontaneously the personalities evolve naturally into striking and engaging images which both shock and amuse, but always stimulate the eye.

After years of casually being Ask The Hoff to friends and friends of friends I decided to share my knowledge and discoveries of London and beyond.