In 2017 I created DotPigeon, an artistic project that uses Instagram as a platform. Inspired by pop culture, politics, icons and trends of the moment, the idea behind my artworks remains the same: to twist images in order to create simple and comprehensible messages executed in a clean and visually satisfying way. The account reaches more than 40 thousand people and my works have been published by several online magazines, Instagram pages and newspapers (Forbes, ItsNiceThat, Fubiz, Popmyeyes, UrbanContest, Freeda, Designyoutrust, Designtaxi, Cnn, Darlin Magazine, Collater.al, Il Messaggero, Trendland, Picame Mag and many others).

Aritst

Louise Enhörning is a Swedish artist and photographer. After completing a degree in art history from Uppsala University, as well as studies at Stockholms Universitet and Konstfack, Louise Enhörning moved to Paris, where her career kicked of as a photographer. Her work explores closeness in her relationships with her subjects as well as the physical environment, approaching still life, abstraction, portrait and landscape with the same sensitivity. Her work investigate the world like an scientist. Louise Enhörning has exhibited her work in solo exhibitions at Saatchi, Stockholm; Loyal Gallery, Stockholm; 0fr Gallery, Paris; and Bon Gallery, Stockholm as well as many group exhibitions internationally in Tokyo, Barcelona, Copenhagen, Kansas City, Mexico City, New York and Stockholm. Enhörning has worked with clients such as Another Magazine, Dazed and Confused, Vanity Fair and VOGUE, as well as Hermès and Agnes B. She has also contributed to several books including Shoot: Photography of the Moment, Nylon Street Style and Vice Photo Book.

My name is Brando Corradini, I am 29 years old and I am a graphic designer. Since my childhood my world was drawing and coloring and this passion of mine led me to undertake higher studies in the artistic field which was followed by a three-year degree in Graphic Design and Visual Communication, achieved in 2013 at the Academy of Fine Arts “RUFA " From Rome. I consider myself completely creative but above all I am an artist. In what I do and in what I am I always want to be free, far from any rule. I don't like certain stakes, even when I worked for companies or other companies, I felt imprisoned within certain rules. I have traveled a lot and this has given me the opportunity to have new experiences. For my works I draw inspiration from everything that surrounds me, from what I live, from what every day passes before my eyes, making life a wonderful muse. Currently I have opened a streetwear clothing line "NOMADE CLOTHING" with Studio Mylab3d, by Damiano Primiceri, a dear friend of mine since the days of art school who is interested in 3D design and modeling. Today I am what I am because, over time, I realized that I didn't want to be just a graphic designer but rather a "graphic artist". I would like to become a person known worldwide: my dream is to have a page on Wikipedia!

I am an observer. Through digital and analogue photography, still and moving images, I explore the potential ground that exists between fine art and documentary photography. Drawing inspiration from various conditions of the reality around me, from the great interest in the modern, dynamic art scene but also from my personal experiences, I believe in the power of images to convey the emotions, truths and challenges of modern reality. Having spent the majority of my life away from my motherland, I often return to the theme of homesickness and belonging in my artwork. My approach to picture making is to present ordinary, non-idealised, never staged reality. Such practice is the formulation of an interest in things as they are. By using only one lens which is the most similar to a human field of view, I am capturing the moments and non-moments that drag my attention. I am a sentimental and nostalgic artist and the camera is the best tool to anchor oneself to memories and emotions that are constantly fleeting. My work starts with a strong interest in the moment, light or a situation. The process of looking begins before taking a photograph and continues afterwards. Selecting pictures, printing, making connections, framing or setting up an exhibition space, all of it seems connected to the way of seeing. I immerse myself in the medium fully and utterly.