Omani-Bahraini visual artist based in London.

Mozambican author, illustrator and film production designer. I live in Stockholm, where I work for The New Yorker, New York Times, and where I write and publish my own stories. I'm an art director at heart.

I'm an artist/ photographer based in London and Mumbai. I'm Interested in history, current affairs and cultural identity. I'm inspired by my immediate surroundings. I travel a lot and always make work in the places I visit. I often turn my attention towards architecture in order to examine the identity of the places I visit. I work intuitively in a documentary manner as it allows me more in depth involvement with my subject. I only use film/analogue processes, mainly mediaum and large formats. These are preferred as they are more precise and slower and aenable me to take time over the composition, to produce a more thoughtful and deliberate image, as compared with the snapshot/hit and run type of photography.

moving a of b into a and b with material, process, and form.

At the intersection of fashion, photography, film, stagecraft, and design, artist Marina Fini creates hallucinatory, alternative worlds. Based in California, she collaborates with friends and artists alike in the staging of these otherworldly scenes, using colorful costumes and her own handmade, plexiglass jewelry to turn her photographic subjects into ethereal cyber goddesses. When asked how she builds these characters, Fini remarked, “there’s something about transforming someone into someone they wouldn’t normally be … that is, creating an extension of themselves that I see in them.” All of her characters exude a captivating power, like the whimsical and intangible figures seen through a psychedelic dream. By exploring alternative selves in familiar contexts – a convenience store, or the Californian seaside, for example – Fini explores how subjecthood is fluid, and how such creative “shape-shifting” can alter the way we perceive our immediate reality.