Ryan Koopmans (BA, MFA) is a Dutch Canadian photographer interested in the built environment and the societies that are shaped by those environments. Born in Amsterdam (1986) he was raised on Vancouver Island, in British Columbia, Canada, completed his undergraduate education at UBC in Vancouver, and in 2012 received a Masters of Fine Art in Photography, Video & Related Media at The School of Visual Arts in New York City. His undergraduate degree in the interdisciplinary practices of geography, art history, and psychology formed the basis for his interest in architecture and the communities living in that architecture. Koopmans is primarily drawn to photographing surreal structures in our world’s megacities and urban landscapes. Formal qualities in their geometry, repetition, and saturation help him illustrate what he terms ‘the poetry of form in interesting locations.’ In essence, his work documents the points of intersection where the natural and manmade converge. He credits his upbringing on Canada’s rugged West Coast, where distances and vistas are vast, as to why he often photographs from a removed perspective, embracing a large sense of scale. Currently based in Stockholm, Sweden, the majority of the year Koopmans travels around the world for both personal and assigned photography & video projects. Please see www.sirenforever.com for his advertising photography.

Shane is a multi faceted director and visual artist from Dublin, Ireland. His work spans a broad range of mediums such as animation, CGI, sculpture, and live action.

The work of Amsterdam based visual artist Martijn Sandberg, constantly explores border areas, such as the tension between text and image, legibility and illegibility, the private and the public domain. “I make Image Messages, image is message is image.” The image hides the message. In the cut paintings „Sorry No Image Yet‟ and „Too Busy To Paint‟ there is a subtle play between the language of the image and the significance of the image, and this gives rise to questions. Here, the lack of image seems to be elevated to an image by the artist. The direct relationship between the image, the material bearing the image and the environment is also expressed in his site-specific works in public space and architecture. As in „If These Walls Could Speak‟ that can be viewed in the lifts at the OBA Public Library Amsterdam, and the artwork „I Will Survive' located at the border of a burial ground in Hardenberg, The Netherlands. In 2010 „My Last Penny‟ by Martijn Sandberg is released as jaarpenning/ art medal 2010, issued by the Vereniging voor Penningkunst/ Dutch Art Medal Society in a multiple edition of 450 pieces.

Na Chainkua Reindorf (b. 1991, Ghana) is a mixed media artist and mythmaker. Her work, which ranges from large-scale tapestries and paintings to immersive sculptural installations, is an exploration of and an ode to the rich cultural history of West African textiles, focusing largely on the complexities and visual culture surrounding masquerades and ceremonial costumes. She incorporates contemporary materials into her work, using these historical textiles and costumes as inspiration to investigate ongoing social topics centered on the politics of dress, identity and gender and their close relation to culture and tradition.  Na Chainkua has exhibited internationally in institutions across the United States, as well as in France, Italy, Burkina Faso, Senegal, Nigeria, and Ghana. 

Chinese visual artist and photographer, whose works often speak of personal and collective memory, cultural identity, symbols and language. Currently based between Amsterdam, the Netherlands and Shanghai, China.