I am a Vienna based Art Directrice with a focus on capturing and designing authentic brand stories. I am also the founder of my own independent magazine about culture and travel, which reflects my natural intuition for visual communication.

Anna Sophie Berger started her studies in vienna in the class of fashion at the university of applied arts under Veronique Branquinho, completed two years under the guidance of Bernhard Willhelm and is currently living in Paris to do an haute couture internship at Adeline André. Apart from the realisation of collections she works with photography on an artitic basis, on various conceptual projects and in different medias.

Istanbul born artist Eylül Aslan has started with photography at an early age as a way to escape the patriarchal system she was born in. Having been introduced to feminism and human rights by her politician and activist mother, she took on photography to express herself  and created a visual world of her own. Her art has taken her to Berlin, Germany where she continued to live and work for 5 years until recently when she finally moved to Vienna, Austria. Her work consists of a play with light and shadow, her fascination on the human body and different forms it takes. Her first two photography books Trauerweide (2014) and Dear Slut (2015) focus on feministic issues, while her latest book Trompe L'Oeil (2017) deals with the subjectivity of beauty, both for men and women."

Maria Prieto Barea is a graphic designer and illustrator based in Vienna, Austria. Alongside her artistic and commercial work, Maria also co-owns three of Vienna’s best bars and recently started an illustrated cake blog (www.newcakesontheblock.com). When she needs a break from work and nightlife, she travels the world with a surf board.

Artist The observation and visualization of local determined characteristics of cities, the spaces between them, and the resulting global transformability run through Wolfgang Lehrner’s works. Cosmopolitan in his investigations, the artist responds to the change and the importance of seemingly insignificant similarities, as well as the opposition of urban areas, cities and their networking in the cultural, socio-economic, historical and metaphysical sense. In his way of working Lehrner consciously uses coincidence to determine the direction of aimless drifting, headed by the respective routes, squares, streets and places. The resulting cinematic portraits of everyday urban life are essentially results of the search for the particular.