Angharad Hengyu Owen loves language – the significance and insignificance of meaning. Endlessly intrigued by the idea of an intrinsic layer of storytelling through typography: The process of a visual interpretation to create an honest emotional imprint. This growing focus was seeded by a multicultural upbringing and a fascination for multilingual semantics, as well as a genuine curiosity towards human nature.

Mozambican author, illustrator and film production designer. I live in Stockholm, where I work for The New Yorker, New York Times, and where I write and publish my own stories. I'm an art director at heart.

Before moving to London, Fortuny worked in New York City, Milan, and Los Angeles as a writer and editor. She has contributed to magazines such as Flaunt, Dazed & Confused, Exit, Metal, and Vice. Fortuny is currently the Features Editor at Exit magazine. She loves design, languages, and studying art movements.

A Design Strategist with a focus on qualitative research, I have extensive global experience gathering and translating consumer insights that improve design on both emotional and functional levels. I champion users within the innovation process to create better experiences at home, work and play, while helping key stakeholders align on successful business strategies. Lately I've partnered with designers from every discipline to create a series of visual brand languages for a world-leading surgical robotics company. The Cooper-Hewitt National Design Museum published my book, "Design for Repair: Things Can Be Fixed," under the DesignFile imprint in May 2015. Metropolis, Fast Company, and Core77 have published my writing recently.

Alexia (b.1993) is an Argentinean-Canadian cultural practitioner dedicated to creating, facilitating & holding space for emerging artists. She follows the tides of the moon and her personal projects explore how we are shaped in and by collectivities. She is the current Director at Xpace Cultural Centre.