Attilia Fattori Franchini is an independent curator and writer based in London. She is co-founder of the online platforms bubblebyte.org and Opening Times and contributes critical essays and reviews to publication such as CURA., Kaleidoscope and Flash Art International. Between 2013 and 2014 she has initiated and curated The Basement a programme in London dedicated to young, unrepresented artists. Attilia is currently working on the second edition of Curva Blu, a residency project in Favignana, Sicily; she is co-curator of ARS17+ the online extension of the exhibition ARS17 currently at Kiasma, Museum of Contemporary Art, Helsinki. Attilia is is also curating BMW Open Work, a new programme of commissions to be launched at Frieze London 2017 and the Emergent section of miart 2018. Recent projects include: Meshes of the Afternoon, Roman Road, London, June, 2017; Céu Torto, Boatos Fine Arts, São Paulo, BR, February 2017; Dawning, Capitán Gallo, Mexico City, MX, February 2017; Morning uber, evening oscillators, Seventeen, London, November 2016; Lonesome Wife, Seventeen, London, October 2016; Europa and the Bull at LambdaLambdaLambda, Pristina, Kosovo, 2016, Oa4s, Temra and David in 4 parts, Sorbus, Helsinki, 2016; Yves Scherer, Snow White and The Huntsman, Mexico City, 2016; Basic Instinct, Seventeen, London, 2015; Guest Curator, Kuvat Academy of Fine Arts, Helsinki, 2015; Bold Tendencies 2015, London.

I'm a creative producer and agent working in London, and co-founder of artist agency Grand Matter and editorial platform &wherefore.

Writer, editor, and curator based in London. Also working at Wallpaper* City Guides.

Jerry Stifelman directs his flmmaking collective, CreatoDestructo Imagery and is a freelance writer and creative director for commercial brands that stand for something. He is an authenticity junkie, describing himself as “drawn to pretty much anything that comes a deep and true place, whether it's funny, ugly, beautiful or ferce.” His commercial work frequently takes him to large cities in other countries, but he loves his little home city of Carrboro, which he describes as “the funkier, gritter, hippier ( and hipper), less posh neighboring town to Chapel Hill, home of the University of North Carolina. It's an easy place to live, easy to bike everywhere, near the airport, and has loads of culture and the sense of optimism that comes from lots of students at the phase in life where all roads are open and anything is possible. It's also a place of great style — lots of people expressing themselves without listening to anyone else. It's also an easy ride to the Blue Ridge Mountains and the beaches.”

Charley Peters is an artist based in London. She produces systematic drawings on paper and in physical spaces in which visual order is deconstructed through mechanical, manual or architectural interference. She has a PhD in Fine Art and exhibits her work internationally. As Co-Director of TBC Artists’ Collective, Charley works with artists and writers engaged in research-led projects that explore drawing as a performative, documentary or interventionist medium.