Jo De Baerdemaeker (typojo) is an Antwerp-based independent Belgian typeface designer and researcher. He holds an MA in Typeface Design and was awarded a PhD from the University of Reading. His interests are designing, researching and writing about world script typefaces (particularly on Tibetan, Lantsa, Mongolian and Javanese), the evolution of Belgian typefaces, and multilingual typography. He is elected Vice-President of ATypI (Association Typographique Internationale) and ATypI Country Delegate for Belgium, currently teaches at LUCA School of Arts (campus Sint-Lucas Gent), and is a guest lecturer at various international art programmes and universities. He was external examiner for ÉSAD (Amiens) post-diplôme students in 2011, and for the TypeMedia 2014 department at KABK (Den Haag). Currently, Jo is Postdoctoral Research Fellow at the Royal Asiatic Society (London).  Jo is a regular speaker at international conferences, and curates exhibitions on type (design) and typography. Apart from designing fonts, Jo also works as a font & typography consultant for companies, holds international workshops on type design, and organises unique Type Walks in Antwerp and other cities in Belgium.  In 2012 he founded Studio Type in Antwerp (Belgium), and collaborates with international design agencies and type foundries, such as: Tiro Typeworks, Type Together, Typotheque, Dalton Maag, Monotype, Microsoft, Google, The New York Times, WIELS, Nottingham Contemporary, Sara De Bondt, Literatuur Vlaanderen, Stad Antwerpen, This is Antwerp, Karel de Grote Hogeschool, Branding Today, Museum Plantin-Moretus, The University of Reading, and Vlaamse Overheid. Jo was awarded the first honorary title ‘New Flemish Master in Fine Arts’ by Sven Gatz, Minister of Culture from Flanders, during the Henry van de Velde Awards in Bozar (Brussels) on January 19, 2017.

I dream therefore I am 

illustrator, cartoonist and author from Italy

Xiao Yue Shan is a poet, writer, editor, and translator. The collection, then telling be the antidote, won the Tupelo Press Berkshire Prize and is forthcoming in 2023. The chapbook, How Often I Have Chosen Love, won the Frontier Poetry Chapbook Prize and was published in 2019. She has received the New Millennium Award for Poetry and the Juxtaprose Poetry Prize, and has been shortlisted for the Aesthetica Creative Writing Award, the Artlyst Art to Poetry Award, and the Ambit Poetry Competition. Poems have appeared in The Poetry Review, Kenyon Review, Poetry Magazine, Asian American Writers’ Workshop, Poetry Northwest, and more. Prose works have appeared in Granta, 3:AM Magazine, Electric Literature, Cleveland Review of Books, The Shanghai Literary Review, and more. Poem-films have shown in festivals in London, Vienna, New York City, and Athens. Her work has been supported by the Canadian Council for the Arts, BC Arts Council, and Arts Council Tokyo. She runs the Beijing-based, bilingual literary journal Spittoon Literary Magazine, and edits Tokyo Poetry Journal and the Asymptote Journal blog. Her website is shellyshan.com

Charley Peters is an artist based in London. She produces systematic drawings on paper and in physical spaces in which visual order is deconstructed through mechanical, manual or architectural interference. She has a PhD in Fine Art and exhibits her work internationally. As Co-Director of TBC Artists’ Collective, Charley works with artists and writers engaged in research-led projects that explore drawing as a performative, documentary or interventionist medium.