About Sanna
Freelance writer and translator currently exploring the outskirts of Visby, Sweden.
http://www.sannahellberg.com
Current city: Visby
Freelance writer and translator currently exploring the outskirts of Visby, Sweden.
 

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Film director & Artist based in London and Rome
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Viktor Hübner (*1988, Germany) received a master of fine arts in photography at the Rhode Island School of Design in 2019. He won several grants and honors, including the Rosanne Somerson Scholarship, a RISD Fellowship and a Fulbright scholar.  Hübner’s artistic practice unites a natural curiosity for other human beings and their fate. Wherever he goes, he often ends up in interesting or weird situations with people. These experiences are spurred when he starts to actively observing them and building up relationships. For his project 'Distanz', he hitchhiked from Jordan, through Israel, back to Germany traversing nine countries in only 82 days. Using a minimal amount of otherwise distracting gear and the goal to be a participant-observer to whatever situation he encountered. 'Das Leben ist für uns.', is based on a visit to the Kurdistan Workers’ Party (PKK) in Northern Iraq and the war against ISIS in 2016. The body of work gives a temporary glimpse of the facets of the PKK, their ideology, aims, and influence. It includes extensive audio material and transcribed text to give an insight into the ideology of the party. His ongoing project 'The Americans I Met' is a photographic and oral history project that collects portraits of, and conversations with, people that Hübner encountered during a series of hitchhiking trips across the United States. His journey represents an exploration of what it means to be American at this moment, and of the issues that affect Americans, both personally and politically. Hübner’s motivation as a witness is simple: He believe in the importance of history. As a young boy, he was fascinated by the history of mankind and dreamt of becoming an Archeologist. This dream ended when he understood that he is simply not the person who sits for hours in a hole brushing away layer by layer of dust. Instead of recovering artifacts from dust, he records small layers of contemporary history through his words and lens.
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Multimedia journalist and DJ. Manila Correspondent, Courier Magazine. Published on Vice, Munchies, CNN, Huck, etc.
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Jo De Baerdemaeker (typojo) is an Antwerp-based independent Belgian typeface designer and researcher. He holds an MA in Typeface Design and was awarded a PhD from the University of Reading. His interests are designing, researching and writing about world script typefaces (particularly on Tibetan, Lantsa, Mongolian and Javanese), the evolution of Belgian typefaces, and multilingual typography. He is elected Vice-President of ATypI (Association Typographique Internationale) and ATypI Country Delegate for Belgium, currently teaches at LUCA School of Arts (campus Sint-Lucas Gent), and is a guest lecturer at various international art programmes and universities. He was external examiner for ÉSAD (Amiens) post-diplôme students in 2011, and for the TypeMedia 2014 department at KABK (Den Haag). Currently, Jo is Postdoctoral Research Fellow at the Royal Asiatic Society (London).  Jo is a regular speaker at international conferences, and curates exhibitions on type (design) and typography. Apart from designing fonts, Jo also works as a font & typography consultant for companies, holds international workshops on type design, and organises unique Type Walks in Antwerp and other cities in Belgium.  In 2012 he founded Studio Type in Antwerp (Belgium), and collaborates with international design agencies and type foundries, such as: Tiro Typeworks, Type Together, Typotheque, Dalton Maag, Monotype, Microsoft, Google, The New York Times, WIELS, Nottingham Contemporary, Sara De Bondt, Literatuur Vlaanderen, Stad Antwerpen, This is Antwerp, Karel de Grote Hogeschool, Branding Today, Museum Plantin-Moretus, The University of Reading, and Vlaamse Overheid. Jo was awarded the first honorary title ‘New Flemish Master in Fine Arts’ by Sven Gatz, Minister of Culture from Flanders, during the Henry van de Velde Awards in Bozar (Brussels) on January 19, 2017.
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