Creative Director and Film Maker. Just as tall as Michael Jordan.

Photographer

Misha de Ridder (1971, Alkmaar, The Netherlands) lives in Amsterdam, The Netherlands. To search, to disclose and to write with light is what Misha de Ridder does in his landscape photos and videos. He does not seek the comfort zone of the beautiful and picturesque, but of the sublime. De Ridder exhibited at Juliètte Jongma Gallery, Layr Wuestenhagen Contemporary, PhotoEspaña, the Triennial of Photography Hamburg, Stedelijk Museum Amsterdam, FOAM and The Museum of the City of New York. Photobooks by Misha de Ridder are Sightseeing (2000, De Balie), Wilderness (2003, Artimo), Dune (2011, Lay Flat), Abendsonne (2011, Schaden.com), Falaise (2016, Roma Publications).

I’m Jose, a Venezuelan Dreamer, Art director and Photographer based in Amsterdam. Having latin blood with a global soul has helped me to do great work for nice agencies and amazing people in 5 different countries so far. I've worked for brands such as Toyota, PlayStation, Magnum, Pampers, Qatar Airways, and Deutsche Telekom among others. In my photography I explore the everyday life, gender, environmental issues, and sexuality. I’m a crazy curious person, I experienced a lot of things in life from how is the everyday in a circus to being backstage documenting Sex work. I find fascinating people’s behavior always up to meet different characters, and have been doing it all around the globe. I love getting my hands dirty with the craft of ideas in every way, I have a graphic design background, I've been taking photographs for the past 5 years and I'm working in my first short film “THE SHOW MUST GO ON” now.

Elisabeth is a Dutch photographer based in Amsterdam. She has been fascinated with photography and aesthetics as well as searching for perfection and imperfection for as long as she can remember. Outdoors or on the information highway, she is always looking for images that impress or inspire her. In her own work she seeks to inject places and objects  with serenity and timelessness infecting them with mystery. For Elisabeth a photo doesn’t have to be explained in detail but can be smashed of its plans. Thereby providing space to the plan -in theory- to transform itself, dependent on its surrounding. She likes to capture the unconscious by following her own sense of beauty. Her goal is to capture life in silence, to hold a moment that remains present, captivating and accessible, but diametrically vague and elusive.