Misha de Ridder (1971, Alkmaar, The Netherlands) lives in Amsterdam, The Netherlands. To search, to disclose and to write with light is what Misha de Ridder does in his landscape photos and videos. He does not seek the comfort zone of the beautiful and picturesque, but of the sublime. De Ridder exhibited at Juliètte Jongma Gallery, Layr Wuestenhagen Contemporary, PhotoEspaña, the Triennial of Photography Hamburg, Stedelijk Museum Amsterdam, FOAM and The Museum of the City of New York. Photobooks by Misha de Ridder are Sightseeing (2000, De Balie), Wilderness (2003, Artimo), Dune (2011, Lay Flat), Abendsonne (2011, Schaden.com), Falaise (2016, Roma Publications).

On a hazy morning is a unique photography team with a fresh and playful eye for capturing the things we all love. Husband and wife team Andres and Joyce specialize in both commercial and editorial storytelling. Eternally curious, and with a passion for sustainability and green projects, they scour the globe seeking authentic moments and characters to create rich photographic narratives in a cinematic style, with magical light and lots of detail. When home in canal-side Amsterdam, they enjoy nature walks, home-made vegan pizzas, Twin Peaks, their cats and the fine, fine eye candy films of Wes Anderson.

Amsterdam based illustrator Sue Doeksen (1982) creates worlds that are overpopulated with bright colors, friendly shapes, layered or light concepts and hidden jokes. Mediums ranging from physical, digital, pencil-drawn, paper-cut, and animated. Juggling commercial and personal project balls she is often overwhelmed because there are so many visual adventures to be made at the same time and therefore wishes there were just many more hours in a day.

...,staat + NewWerktheater Amsterdam / Founder & creative director / Espresso & Old Fashioned / ...,™ Instagram: @jochemstaat / @staatamsterdam / @NewWerktheater

Popel Coumou lives and works in Amsterdam and studied photography at the Gerrit Rietveld Academy. Her work consists out of analog photographs of collaged spaces that hint at human presence. Through her use of lighting she transforms the collages into 3 dimensional spaces that seem both natural and unhinged.