Simon Wald-Lasowski (Paris, 1980) is a freelance photographer and art director. He makes colorful, fun, twisted work by use of bricolage, word play and 'cliché bending'. Lighthearted at first sight, his images often reveal a certain depth on second inspection. His approach is always very personal, which blur the boundaries between autonomous and commissioned work. He lives in Amsterdam and graduated from the Gerrit Rietveld Academie in 2004 as a graphic designer. Occasionally he also works as a Wedding MC.

Fatti Burke is an award winning children's book illustrator from Ireland, currently living in Amsterdam. She has been working as a freelance illustrator since 2013 in the editorial, publishing and advertising fields. Her work revolves around the things she loves – food, home, memes, animals and tradition.  Her first three books that she created with her father, Irelandopedia (2015), Historopedia (2016) and Foclóiropedia (2017), were bestsellers in Ireland. She is currently working on upcoming non-fiction children's books with Penguin Random House, Bloomsbury, Gill Books and Nosy Crow.  Represented by Art Associates Amsterdam

Bas van Wieringen (b. 1983, NL) lives and works in Amsterdam. Bas graduated from the Gerrit Rietveld Academie in 2011. His work has been exhibited in The Netherlands and abroad, among de Hallen/Frans Hals Museum, Haarlem (NL), Institut für Kunst- pädagogik, Frankfurt (DE), Arti et Amicitiae, Amsterdam (NL), Fringe Arts Festival, Bath (UK), TENT, Rotterdam (NL) and Camden Arts Centre, London (UK).

Corriette Schoenaerts is an artist who works primarily with photography. She works in the fields of autonomous, fashion and commercial photography refusing to draw any finite distinctions between these fields.

Elisabeth is a Dutch photographer based in Amsterdam. She has been fascinated with photography and aesthetics as well as searching for perfection and imperfection for as long as she can remember. Outdoors or on the information highway, she is always looking for images that impress or inspire her. In her own work she seeks to inject places and objects  with serenity and timelessness infecting them with mystery. For Elisabeth a photo doesn’t have to be explained in detail but can be smashed of its plans. Thereby providing space to the plan -in theory- to transform itself, dependent on its surrounding. She likes to capture the unconscious by following her own sense of beauty. Her goal is to capture life in silence, to hold a moment that remains present, captivating and accessible, but diametrically vague and elusive.