About Sophie
Creative copywriter in advertising –> sophierijnaard.com
http://sophierijnaard.com
Current city: Amsterdam
Other cities: RotterdamKivik
Creative copywriter in advertising –> sophierijnaard.com
 
The Bartolotti is perhaps one of the most beautiful Museum Houses Amsterdam has, built by someone who once was the richest man in the city, but it's a bit hidden in plain sight. These days, it is run by a group of lovely old ladies, who can't wait to offer you tea or juice. You can walk around the house like you live there. You have to ring the doorbell to get in. (picture from Google, by Arjan Bronkhorst)
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This store is filled floor to ceiling with vintage glass- and tableware from France and other countries surrounding the Netherlands. It is a gem for finding birthday or housewarming gifts.
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If you have money to blow, this is a great place to blow it on Italian vintage designer pieces. I say Armani, you say ... Prada!
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If you are looking for a reason to visit Kivik, Ulla & Folke are that reason. Their food is great. Their natural wine is great. Their traditionally Swedish interior is great. Their hospitality is great and their logo is strangely Copenhagen hip, in the middle of the South Sweden countryside. I'm sorry I have no better picture, but do check their Instagram account. It is lovely.
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There's a Sol LeWitt pavilion in the middle of a wheat field in Skåne, and it is part of the Kivik Art Centre. This centre sounds like a crafty old ladies thing, but it is not. It a lovely surprise of modern art with a sea view. Go there, look at art, pet the sheep and then go swim in the coldest sea of Europe - the Baltic.
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More Writers

Angharad Hengyu Owen loves language – the significance and insignificance of meaning. Endlessly intrigued by the idea of an intrinsic layer of storytelling through typography: The process of a visual interpretation to create an honest emotional imprint. This growing focus was seeded by a multicultural upbringing and a fascination for multilingual semantics, as well as a genuine curiosity towards human nature.
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I consider myself a lover of both images and words, almost equally. I believe in magic, I’m obsessed with details and thrilled by light. Every morning, after washing my face, I gently close my eyes and am overcome by an unrelenting need to be under the sea.
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COLOR / STORY Brandi Katherine Herrera is a multidisciplinary artist, poet, and translator, whose work in text, image, and sound explores the poetics of space. She is the author of Mutterfarbe, a full-length work of color theory, experimental translation, photography, and poems using Johann Wolfgang von Goethe’s Zur Farbenlehre as a primary source; and Natürlicher, a chapbook-length work of color theory, experimental translation, and poems (both Broken Cloud Press, 2016); a co-author of MAR, a collaborative artist book + limited-edition chapbook of photography, marrings, and poems (Lute & Cleat, 2018); and the co-editor of The Lake Rises, a Witness Post Series anthology of poems (Stockport Flats, 2013). Her work is held in the Seattle Art Museum’s permanent collection, Yale University’s Faber Birren Collection of Books on Color, UCLA’s Louise M. Darling Library, University at Buffalo’s Poetry Collection, and Reed College’s Special Collections & Archives, and has been featured in a number of solo + group exhibitions, performance series, and publications, including: the Seattle Art Museum, Cube Gallery, 23 Sandy Gallery, Creative Mornings, Poetry Press Week, Pure Surface, The Volta, Octopus Magazine, The Common, Poor Claudia, Word/For Word, Thru Magazine, Borderlands Texas Poetry Review, and Womenspeak PDX.
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Jen Huh is a Los Angeles based artist, designer, educator, and writer. Her large scale textile pieces have been featured in Interior Design magazine and are on permanent display in the Martin Art Gallery at Muhlenberg College in Allentown, PA. She formerly served as Director of First Year Advising at Parsons School of Design and Eugene Lang College at The New School (NYC). Jen is a partner at Dan Golden Studio and Director at Curator.site.
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