Fish, fish, fish. The crab is amazing. You get a hammer and hammer your way through delicious fish meat.
The famous fish restaurant 'Ramiro' is a couple hundred meters down the street. It has lines for hours, not worth it! Walk up to this one with no line, half of the price and frankly better food as they don't need to rush.
Robert Rieger is an editorial photographer based in Berlin. Rieger currently works as a art director at Freunde von Freunden, where among other projects, he is the photographer and photo editor for collaborations with MINI, Siemens, SONOS, 25h Hotels and USM. In his position at Freunde von Freunden, he liaises with international photographers on a daily basis and is responsible for the visual storytelling of the portraits produced.
Here to fulfil your text-based needs: I'm a New Zealand-German writer, editor and translator specialised in the travel, design and lifestyle sectors. Fluent in English, German and French, I graduated in Law and Politics before pursuing my interest in aesthetics into cultural journalism, via a two-year stint in advertising in London.
I am an independent Art Director born in Düsseldorf and based in Berlin since 16 years. I started working in advertising agencies and from there I build up my own business. Since 1 year I am working on my business “Angry Calamari” gathering my own clients and freelancing in agencies. This gives me the freedom to work remotely which satisfies me and gives me great international input.
Born 1983 in Mainz (Germany), lives in Berlin (Germany).
He was raised in Sao Paulo (Brasil) and Mainz (Germany). After finishing high school, he attended university. Initially studying architecture, he changed focus and ultimately completed his Bachelor in Fine Arts in 2014 at the Berliner Technische Kunsthochschule and has since participated in several international shows. He has lived, travelled to and worked in South America, Europe, South East Asia, Western Africa and North America.
Thomas Friedrich Schaefer had the opportunity to observe different social and familial environments within distinct communities. Since moving back to Germany, he has tried to assess his memories and his past within his images. He recently finished a long-term photographic project creating and documenting elaborately staged environments that play on the essence of fragmented childhood memories. The project required him to construct staged rooms using technical skills which he obtained early in his studies while studying architecture and engineering.
Thomas continues to stage images in his studio in Berlin. His work includes hyper-realistic sets that provide the narrative framework to moments of interpersonal relationship. What seem like irrelevant and forgettable moments take on an importance and poignancy.