Lost Eras has easily become one of my favorite shops to explore; hidden just outside of Chicago, it stretches far and narrow, crowded with lost treasures. Walking through it, it's hard not to begin imagining the stories of the objects that turn up in its walls, and the people that once held them. Not to mention the building itself is a piece of history, as in the 1920's it was home of the night club the "Club Detour" which had many artists play in it's halls such as Louis Armstrong, Count Basey and Ella Fitzgerald.

I'm usually too busy to do this but when I can, getting out to the lakefront at night is truly one of the best things ever. There's something about the night sky, the water, wind and the city behind you that calms everything down.

I am lucky enough to have one of the five Great Lakes of North America right in my backyard. How cool is that?

Founded in 1956, the Graham Foundation for Advanced Studies in the Fine Arts fosters the development and exchange of diverse and challenging ideas about architecture and its role in the arts, culture, and society. The Graham realizes this vision through making project-based grants to individuals and organizations and producing exhibitions, events, and publications.

Located one block east of the historic Water Tower, the MCA champions the provocative side of contemporary art and culture. Their innovative exhibitions, performances, and programs are made to inspire. Founded in 1967 as a Kunsthalle (or non-collecting art gallery) the MCA is now one of the world’s largest museums dedicated to art since 1945. Since their inception, it has been their mission to exhibit new and experimental work artists in all media and to paired these with ambitious education programs. In 1974, the MCA expanded their mission to include collecting and preserving contemporary art for future generations with the inauguration of a permanent collection that has grown to include more than 2,000 works. After 29 years in a storefront on Ontario Street, the museum moved to their current location in 1996, giving their collection, exhibitions, and programming room to grow to meet the needs of 21st-century art and audiences.