Creator of a bunch of books including a series of faux illustrated Biographies, and illustrator for clients like The Atlantic, The New York Times, Tatler, Coors, Cartoon Network, Disney, Globe and Mail, and whatnot and on and on. Goes places, does things, but could and should more.

I am a product designer, illustrator and art director. Currently Lead Designer at Spotify. I split my time between Stockholm, London and New York.

Hannah Richards is a graduate of the University of Brighton and is now based in Oxford. She flits between illustrating, filmmaking and photography, mostly because she can’t decide what she likes doing best. Her work explores the relationship between text and image and often provides a humorous and sardonic commentary for everyday life. Her book; Your Opinion is irrelevant because I hate you” has been published by Victory Press.

I´m Miguel Pang Ly, an illustrator born in Barcelona of cambodian and chinese parents. My main interest is to explore the depths of a story & the unconscious through the illustrations. Some of clients are SM, A buen paso, Windsor&Newton, Blind books, Mov Palavers... Prizes: American illustration (2015, 2013), Latin American (2016, 2015, 2013) Bologna children´s book fair (2014), Premio Nazionale delle Arti 2012 per il design della comunicazione, Junceda Prize (2016)...

Marco Oggian has wanted to be illustrator since he was just a little kid. Describing his style as “simple, strong, a five-year-old could do better”, it seems that a lot of that energy has stayed with him. Although most small children don’t quite have Marco’s client base, there’s definitely more than a touch of the playful to the Italian illustrator’s colourful approach. But his simple shapes and bright colours are often deployed to highlight more serious issues, from the environment to the war in Syria. Born in Italy but now based in La Coruña in Northern Spain (for his “lovely girlfriend and of course tapas and beer!”), Marco is largely self-taught, after being expelled from college pretty-early on. Ever the optimist, the young illustrator frames his departure from formal education as an opportunity for self-study and to gain life experience. “Since I had the chance to start working earlier than my peers, I have already done a lot of interesting things: travel, give talks, put on exhibitions and performances – all this is incredible,” he enthuses.