About Genevieve
Genevieve Lutkin is an artist based in London and graduate from the Royal College of Art Moving Image and Photography MA programmes. Working in photography and moving image, her work has been exhibited at galleries such as TATE Modern, Mimar Sinan Contemporary Art Museum Istanbul, Pump House Gallery London, Focal Point Gallery Southend and screened at festivals such as UnderWire Film Festival and Alchemy Moving Image Festival. She has also been involved with the Tomma Rum artist residency in Skellefteå, Sweden and has presented research examining ‘The Uncanny’ within moving image at the Academy of Finland and Finnish Anthropological Society interdisciplinary conference in Helsinki, Finland.
http://www.genevievelutkin.com
Current city: London
Genevieve Lutkin is an artist based in London and graduate from the Royal College of Art Moving Image and Photography MA programmes. Working in photography and moving image, her work has been exhibited at galleries such as TATE Modern, Mimar Sinan Contemporary Art Museum Istanbul, Pump House Gallery London, Focal Point Gallery Southend and screened at festivals such as UnderWire Film Festival and Alchemy Moving Image Festival. She has also been involved with the Tomma Rum artist residency in Skellefteå, Sweden and has presented research examining ‘The Uncanny’ within moving image at the Academy of Finland and Finnish Anthropological Society interdisciplinary conference in Helsinki, Finland.
 
LUX is an international arts agency that supports and promotes artists’ moving image practices and the ideas that surround them. Founded in 2002 as a charity and not-for-profit limited company, the organisation builds on a long lineage of predecessors (The London Film-Makers’ Co-operative, London Video Arts and The Lux Centre) which stretch back to the 1960s. The only organisation of its kind in the UK, LUX represents the country’s only significant collection of artists’ film and video, and is the largest distributor of such work in Europe. LUX works with a large number of major institutions including museums, galleries, festivals and educational establishments, as well as directly with the public and artists. The organisation’s main activities are distribution, exhibition, publishing, education, research, and professional development support for artists and arts professionals.
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Close-Up's film programmes present a series of films that shaped the art of cinema and its history. The programmes also include regular special events with filmmakers present to discuss their work. Close-Up is committed to supporting and developing the exhibition of independent and experimental cinema, focusing on the cross over between the arts and film culture.
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Attilia Fattori Franchini is an independent curator and writer based in London. She is co-founder of the online platforms bubblebyte.org and Opening Times and contributes critical essays and reviews to publication such as CURA., Kaleidoscope and Flash Art International. Between 2013 and 2014 she has initiated and curated The Basement a programme in London dedicated to young, unrepresented artists. Attilia is currently working on the second edition of Curva Blu, a residency project in Favignana, Sicily; she is co-curator of ARS17+ the online extension of the exhibition ARS17 currently at Kiasma, Museum of Contemporary Art, Helsinki. Attilia is is also curating BMW Open Work, a new programme of commissions to be launched at Frieze London 2017 and the Emergent section of miart 2018. Recent projects include: Meshes of the Afternoon, Roman Road, London, June, 2017; Céu Torto, Boatos Fine Arts, São Paulo, BR, February 2017; Dawning, Capitán Gallo, Mexico City, MX, February 2017; Morning uber, evening oscillators, Seventeen, London, November 2016; Lonesome Wife, Seventeen, London, October 2016; Europa and the Bull at LambdaLambdaLambda, Pristina, Kosovo, 2016, Oa4s, Temra and David in 4 parts, Sorbus, Helsinki, 2016; Yves Scherer, Snow White and The Huntsman, Mexico City, 2016; Basic Instinct, Seventeen, London, 2015; Guest Curator, Kuvat Academy of Fine Arts, Helsinki, 2015; Bold Tendencies 2015, London.
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Peter Nencini came to London in 1992, to study at the Royal College of Art. Aside from a three-year interlude working in Brussels, he stayed put. A designer and educator, he has worked across print and television for clients such as the New York Times and the BBC. More recently, he has gravitated towards editioned and exhibited work in ceramic, fabric, wood and metal — with a bonding interest in the space between typographic and figurative form. An interview about his work, with Ryan G. Nelson for the Walker Art Center, can be read here. His editioned box and wall works are currently showing at Partners & Spade, New York.
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Half Japanese Editor/Journalist (WSJ, Newsweek, Modern Farmer etc); contributing editor Monocle magazine. Based in London and occasionally, Tokyo. Founding member of UK/Japan design studio Anyhow. 
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Emily is a creative/ writer/ photographer/ filmmaker/ collector of junk, based in London.
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Paul Phung is a photographer based in London and a recent graduate from Leeds College of Art, his work has been published in several U.K and international titles. He enjoys collaborating with different artists/designers and is currently working towards bringing out his second zine.
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