Printmaker, designer and educator

Brought up in the Cotswolds, Oliver began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. His first solo exhibition entitled Volte-face will premier at London's Royal Geographical Society in September 2016. Taken over a period of four years, Volte-face is a series of images taken at the world’s most photographed historic sites, buildings and monuments - but looking away from them. To coincide with the exhibition at the RGS a book of the project, featuring an essay by Geoff Dyer, will be published by Dewi Lewis Publishing Ltd. Oliver continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He cites as key influences William Eggleston, Saul Leiter and Andre Kertesz. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner’s The Wedding Date, Frank Oz’s Death At A Funeral and Joanna Hogg’s Unrelated as well as experimental gallery-based installations such as Gideon Koppel’s Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L’Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury’s.

After 8 years as senior designer at acclaimed agency Graphic Thought Facility. Stefi Orazi founded the Stefi Orazi Studio in 2006. Based in East London, the focus of her work is mainly in print and exhibition graphics.

Paul Phung is a photographer based in London and a recent graduate from Leeds College of Art, his work has been published in several U.K and international titles. He enjoys collaborating with different artists/designers and is currently working towards bringing out his second zine.

I'm from Cornwall. Anyone who knows me knows that I rant on about Cornwall. The longer I stay away from Cornwall (in London) the more I seem to rant about it. But I still like to go back as often as possible to do crazy stuff like cast metal furniture on the beach or carve chairs out of Cornish granite in the various quarries dotted around the countryside. Otherwise you will find me in my studio in deepest darkest Tottenham whittling a lump of material into a spoon or chair.