Elizabeth Gabrielle Lee is an artist, researcher and writer. Her practice is guided by the iterations of slow violence and the dynamic between the ‘near’ and ‘elsewhere’. In attempting to disarm instruments of knowledge production, her practice shies away from reduction and completion. Steering away from essentialisms, she is interested in once-forgotten micro and muted narratives. By revisioning fractured traditions, she engages with visual and textual interventions to navigate the nuances of perception and retention. Lee also runs XING, a research platform centered on the poetics and politics of Southeast and East Asian art practices. Assuming form of a shapeshifter, it morphs between localities and temporalities; with(in)flux. A domain of not-yet possibilities, the platform attempts to dismantle matrices concerned with the region from non-dominant perspectives.

London/Kent based Graphic Designer and Art Director

Peter Nencini came to London in 1992, to study at the Royal College of Art. Aside from a three-year interlude working in Brussels, he stayed put. A designer and educator, he has worked across print and television for clients such as the New York Times and the BBC. More recently, he has gravitated towards editioned and exhibited work in ceramic, fabric, wood and metal — with a bonding interest in the space between typographic and figurative form. An interview about his work, with Ryan G. Nelson for the Walker Art Center, can be read here. His editioned box and wall works are currently showing at Partners & Spade, New York.

I'm from Cornwall. Anyone who knows me knows that I rant on about Cornwall. The longer I stay away from Cornwall (in London) the more I seem to rant about it. But I still like to go back as often as possible to do crazy stuff like cast metal furniture on the beach or carve chairs out of Cornish granite in the various quarries dotted around the countryside. Otherwise you will find me in my studio in deepest darkest Tottenham whittling a lump of material into a spoon or chair.

I have been working in the art world for the past eight years. An advocate for artists since a young age, I managed my first art gallery in Los Angeles at age 23 and finally created my current business, MTArt Agency, to promote the artists she believed in across the globe. MTArt is the first artist agency in the world, the agency specialises in talent management: building, growing and accelerating careers while financing the studio costs of its artists.