Milène Larsson is an award-winning, seasoned international news, current affairs and documentary producer/director/reporter covering issues spanning from the environment, gender norms, women’s social status and civil rights, to culture, travel and migration, which she has reported on extensively in the British Media Awards winning documentary series Europe or Die. She’s currently co-Head of Video for VICE and based in London.

I'm a artist in East London.

Adrian Westaway Co-founder & Director of Technology and Magic at Special Projects Adrian is an inventor, engineer and experience designer on a mission to make the human-technology interaction meaningful and delightful. As co-founder of Special Projects he harnesses technology, inclusive research and magic thinking to devise design propositions that feel familiar yet wondrous. A self-taught magician since the age of 11 and full member of the Magic Circle, he relentlessly pursues his conviction that “designers should use magic thinking and try to introduce surprise, delight and fuzzy feeling in the things they create.” After becoming the first ever James Dyson Fellow in 2007, and a Fellow of the Royal Commission of 1851, in 2010, for his work on interactive lighting systems, Adrian built a playground in Peru, had whisky with Derren Brown as a student in Bristol, and tried to make his teachers disappear. His contagious passion for magic and engineering made him a beloved tutor and lecturer in Design & Innovation at Queen Mary University and the Royal College of Art, in London and a visiting faculty member at the Copenhagen Institute of Interaction Design. There he teaches ‘Magic and Design’, a nomadic workshop where students are introduced to methods of using design and technology to create enchanted products and experiences.

Fashion designer based in London

Painter, Day-dreamer, Wanderer. Corn sets out to explore the deepest levels of the human subconscious. The atmospheric, melancholic tones of her drawings and paintings evoke sensations of dislocation. These works document her interest in what is lost and what is found, the ambivalence between what is the fleeting memory and what is synthesized as a trace within the landscape.