Director of Stories + Pictures

Kristine is an independent visualise designer. She has an insatiable passion and a fondness for visual communication, social observation, typography, colours grammar, and concept-driven projects. Mainly works on all kind of from conception to completion such as editorial, printing, publication, book art, all printed matter, concept development, UI design and art direction. She believes good design comes from unlimited questioning, challenging convention and creating and collecting innovative methods to solve visual tasks into an unique ways. The process is often based on a strong idea or a fundamental concept which exploited to the maximum with no preconceptions. To emphasis that it is concept-driven design; the form is often learning towards anti-esthetics. It is a paradox that this actually is an esthestic in itself. She is especially interested in concept-based project and investigating the interdisciplinary design methodologies into visual grammar. Mainly focus on challenging the forms/ platforms of visual communication from conception to completion.

German born Dennis Schoenberg moved to London to study Film and Audio-Visual Production and subsequently completed an MA in Photography at Westminster University. Dennis then went on to work as a photographic assistant for Rankin at Dazed & Confused before moving to New York to assist Steven Klein. On returning to London Dennis became Studio Manager for Turner Prize winner Wolfgang Tillmans. Throughout this time Dennis built up a relationship with i-D Magazine for which he started working as a freelance photographer after having left his position at Wolfgang Tillmans. Since then Dennis has been working as a portrait and fashion photographer as well as a video director.

I was born in the mid 1980's and grow up in London. From always having a fascination with mechanical objects and relentlessly playing with lego as a child becoming a still life photographer seemed like a natural progression. There is something enormously rewarding about creating exactly whats in your head. I try and make my images on first glance look completely perfect but on closer inspection its revealed there are many imperfections, if you look closer at the 'Wrapping Paper Series' you can see all the joins and creases. I think this makes it look and feel like a photograph and not CGI.

Antidisciplinary artist and designer working from the bowels of Somerset House.