Louisa is the founder of Luminous Books in East London, an artist curated bookshop specializing in second hand fiction, philosophy, art and curiosities. Luminous also stocks a range of artists’ books, limited run zines and hosts regular literary events, combining music, films and readings alongside pop up projects throughout the city and two Luminous collections at the ICA Bookshop SW1 and Andor Bureau E8. Louisa studied Fine Art Sculpture at Brighton University before moving to London working in both new and antiquarian bookshops including Foyles and as Book Buyer for the ICA Bookshop. Luminous is a specialized bookshop full of personal preoccupations, a love of the object of the book, printed matter and of visual thinking.

I'm a London-based documentary and travel photographer, dividing my time between commercial commissions and personal projects. 

Based in London, Irish artist Claudine O’Sullivan has gained industry spotlight for her distinctive hand drawn illustrations, featured in the worldwide Apple Pencil campaign, which has won the 2017 World Illustration Awards Professional Advertising category. Her uniquely traditional drawing style has appealed to established brands such as MTV, Island Records, WeTransfer, Tiger Beer and Derwent Pencils. Claudine graduated from University of the Arts London with a First Class Honours degree in Graphic Design. Her adaptable, design focused approach to art is reflected in the diversity of her commercial portfolio and client base.

Hattie Newman makes sets and images that live in advertisements, magazines, galleries, websites, books and many other places around the world. Hattie’s studio is a place where sketches and ideas quickly outgrow their pages and leap to life.

Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.