Illustrator and designer Melvin Galapon was born in the South of England in 1981, yet hails from Burnley a small town in the Northwest of England. A graduate from Central St. Martin’s he has worked with the likes of Wallpaper*, The New York Times, Nike and Nokia to name but a few. He has been featured in various magazines worldwide and has exhibited in Tokyo, London and Singapore. Galapon is currently based in London where he works on a prolific mix of Illustrations, Installations and Design work.

Shortlisted as Emerging Woman Architect of the Year by Architects Journal,‘new talent’ by the Guardian and ‘one to watch’ by Wallpaper’s Editor Tony Chambers in 2012. Pernilla Ohrstedt was born in 1980 in Stockholm. Her design output has been both in the UK and abroad, spanning the disciplines of experimental art, architecture and curatorial practice. In 2011 Pernilla set a collaborative architecture partnership with Asif Khan. She has collaborated on several celebrated projects with Asif, including Future Memory Pavilion 2011 for British Council and Royal Academy of Arts in Singapore, Cloud 2011 for Design Miami Basel and Colette, Paris. Pernilla & Asif are currently designing Coca-Cola’s pavilion for the London 2012 Olympic Park. The 1000sqm Pavilion is an experimental building called the Beatbox. Collaborating with the music producer Mark Ronson the pavilion seamlessly integrates innovative sound technology and experimental design into a piece of architecture that the visitor will be able to play like a musical instrument.

Since an early stage, Giacomo felt interested in the visual perception of the volumes, light, transparencies, light materials, and how the eye treats the mind with a thoughtful use of them. Bachelor in Product Design and a Master’s degree in Architecture provided him all the technical aspects of the use of strengths, understanding of materials and 3D modelling. Once has the technical knowledge and the convince of creating art, the material chose was the step to follow. The keenness of using a simple material whit shining properties became stronger thus after an examination of different materials the decision was to use brass and steel wire. In addition, the concept of using something cheap to create something precious is very attractive. Creating a net of sewed wire with specific mental patrons and the using the strengths, making reinforcement to create shapes and curvatures lead final sculptures and models. The process followed during the last four years has been an autodidactic process of discovering how the weight, the tensions and the structure of the net can get transformed into an art piece.

Web developer / illustrator based in London, UK

Artist