At the end of the Victoria line at the Walthomstow station, and then a 15 minute walk through some suburban streets with some lefts and at other times rights is an industrial estate. Through the gate and buried at the very end of the units where you are convinced you are lost and doubting it's existence at all is God's Own Junkyard. It's a worthy pilgrimage and actually sort of where you expect God would put a junkyard.
The warehouse is a monument to neon and the life works of the late Mr Neon, Chris Bracey. It's littered to the rooftop with cables, plug sockets and choice words with neon epigrams, the whole collection is stacked, I suppose how a junkyard of the sort would be. Full of sex, religion, americana, sci-fi and nostalgia that all blend together surprisingly well, It's a visual feast that you can take in with a coffee and an open mouth. It is a gem of a place.
It is really great.
Half Japanese Editor/Journalist (WSJ, Newsweek, Modern Farmer etc); contributing editor Monocle magazine. Based in London and occasionally, Tokyo. Founding member of UK/Japan design studio Anyhow.
Zoë Taylor is an illustrator based in London. She graduated from the RCA in 2009 and regularly illustrates for AnOther Magazine’s online edition. Her work has also been published in The Guardian, Syntax Editions, Grey, Le Gun, Bare Bones, Dazed & Confused and others. She is currently working on some visual stories.
Louisa is the founder of Luminous Books in East London, an artist curated bookshop specializing in second hand fiction, philosophy, art and curiosities. Luminous also stocks a range of artists’ books, limited run zines and hosts regular literary events, combining music, films and readings alongside pop up projects throughout the city and two Luminous collections at the ICA Bookshop SW1 and Andor Bureau E8.
Louisa studied Fine Art Sculpture at Brighton University before moving to London working in both new and antiquarian bookshops including Foyles and as Book Buyer for the ICA Bookshop. Luminous is a specialized bookshop full of personal preoccupations, a love of the object of the book, printed matter and of visual thinking.