At the end of the Victoria line at the Walthomstow station, and then a 15 minute walk through some suburban streets with some lefts and at other times rights is an industrial estate. Through the gate and buried at the very end of the units where you are convinced you are lost and doubting it's existence at all is God's Own Junkyard. It's a worthy pilgrimage and actually sort of where you expect God would put a junkyard.
The warehouse is a monument to neon and the life works of the late Mr Neon, Chris Bracey. It's littered to the rooftop with cables, plug sockets and choice words with neon epigrams, the whole collection is stacked, I suppose how a junkyard of the sort would be. Full of sex, religion, americana, sci-fi and nostalgia that all blend together surprisingly well, It's a visual feast that you can take in with a coffee and an open mouth. It is a gem of a place.
It is really great.
Nick Turpin is a London based Street Photographer, his work interogates the different aspects of life in a big city including life on the streets to commuting and advertising.
Nick is the Art Director of STREET LONDON an annual Street Photography Festival.
Nick teaches Street Photography to visitors to London through Sidestory > https://sidestory.co/experiences/london-street-photography/
Nick has also taught photography at festivals around the world, Tate Modern, on the Discovery Channel and for Apple.
Elizabeth Gabrielle Lee is an artist, researcher and writer. Her practice is guided by the iterations of slow violence and the dynamic between the ‘near’ and ‘elsewhere’. In attempting to disarm instruments of knowledge production, her practice shies away from reduction and completion. Steering away from essentialisms, she is interested in once-forgotten micro and muted narratives. By revisioning fractured traditions, she engages with visual and textual interventions to navigate the nuances of perception and retention.
Lee also runs XING, a research platform centered on the poetics and politics of Southeast and East Asian art practices. Assuming form of a shapeshifter, it morphs between localities and temporalities; with(in)flux. A domain of not-yet possibilities, the platform attempts to dismantle matrices concerned with the region from non-dominant perspectives.
I'm an artist/ photographer based in London and Mumbai.
I'm Interested in history, current affairs and cultural identity. I'm inspired by my immediate surroundings.
I travel a lot and always make work in the places I visit. I often turn my attention towards architecture in order to examine the identity of the places I visit.
I work intuitively in a documentary manner as it allows me more in depth involvement with my subject. I only use film/analogue processes, mainly mediaum and large formats. These are preferred as they are more precise and slower and aenable me to take time over the composition, to produce a more thoughtful and deliberate image, as compared with the snapshot/hit and run type of photography.