At the end of the Victoria line at the Walthomstow station, and then a 15 minute walk through some suburban streets with some lefts and at other times rights is an industrial estate. Through the gate and buried at the very end of the units where you are convinced you are lost and doubting it's existence at all is God's Own Junkyard. It's a worthy pilgrimage and actually sort of where you expect God would put a junkyard.
The warehouse is a monument to neon and the life works of the late Mr Neon, Chris Bracey. It's littered to the rooftop with cables, plug sockets and choice words with neon epigrams, the whole collection is stacked, I suppose how a junkyard of the sort would be. Full of sex, religion, americana, sci-fi and nostalgia that all blend together surprisingly well, It's a visual feast that you can take in with a coffee and an open mouth. It is a gem of a place.
It is really great.
I am a Swedish artist based in London.
My work concern interest in restraint related to the body and cultural structures. Ideas of obstruction aim to question how forms and bodies adapt to change, environment and ideals. I am interested in how a person is shaped by the spaces they have occupied and how a person occupies their own psychological space. With a background in dance, interests in the body and spatiality continue to influence my ideas with focus on balance and repetition. The physical relationship to images are essential in my process of making and the photograph as a performative document explore elements of gesture. There are slippages between image, object and subject. I work mainly with the analogue photographic process and sculpture in relation to the image and performance. I enjoy working physically with materials whether they are photographic prints, sculpture or my own physical body as a medium.
Emilie is a London-based graphic designer and art director from Paris.
She has worked on branding projects and retail campaigns for Kickers, Speedo and Ted Baker, created campaign images, trailers, posters and programmes for the National Theatre and currently design book covers for Penguin Books.
She is also one of the Ladies Wine Design London organisers. The group is part of an international community of creative women started by Jessica Walsh in New York, and runs monthly events including talks, workshops, portfolio review sessions and informal discussions.