At the end of the Victoria line at the Walthomstow station, and then a 15 minute walk through some suburban streets with some lefts and at other times rights is an industrial estate. Through the gate and buried at the very end of the units where you are convinced you are lost and doubting it's existence at all is God's Own Junkyard. It's a worthy pilgrimage and actually sort of where you expect God would put a junkyard.
The warehouse is a monument to neon and the life works of the late Mr Neon, Chris Bracey. It's littered to the rooftop with cables, plug sockets and choice words with neon epigrams, the whole collection is stacked, I suppose how a junkyard of the sort would be. Full of sex, religion, americana, sci-fi and nostalgia that all blend together surprisingly well, It's a visual feast that you can take in with a coffee and an open mouth. It is a gem of a place.
It is really great.
Elisa is a Milan-born fashion/design writer, digital content creator and Editor In Chief/co-founder of Sali e Tabacchi Journal. She moved to London in September 2014 for a foundation year at Condè Nast College of Fashion and Design. Since then, she has interned at J.J. Martin's LaDoubleJ.com, Nowness, British Vogue and Wallpaper* Magazine, has been published by British Vogue and Wallpaper* Magazine and contributes to Corriere Della Sera's Design Magazine, Living. She has now graduated Fashion Journalism at London College of Fashion and collaborating with creatives across different countries.
I'm an Interiors and Still Life Photographer, based in London. Kristy was raised in 14 houses over the 18 years she grew up in North Yorkshire. It may be this steady flow of homes, and way of living, that led to her curiosity to shape the everyday.
Her love of photography was cemented in the Autumn of 2005 while spending six months at university in Springfield, Missouri, developing her calm, clean and focussed style while photographing with her Mamiya C330.
She draws influence from American and European Modernist architecture, along with suburban imagery from the 1950’s onwards, creating surreal and playful imagery hinged on her desire to form intrigue, through line, form and arrangement.
Johanne Lian Olsen is a Graphic Designer working within type design, editorial design and illustration. She is flexing between working at projects in the UK and Norway.