Kristine is an independent visualise designer. She has an insatiable passion and a fondness for visual communication, social observation, typography, colours grammar, and concept-driven projects. Mainly works on all kind of from conception to completion such as editorial, printing, publication, book art, all printed matter, concept development, UI design and art direction. She believes good design comes from unlimited questioning, challenging convention and creating and collecting innovative methods to solve visual tasks into an unique ways. The process is often based on a strong idea or a fundamental concept which exploited to the maximum with no preconceptions. To emphasis that it is concept-driven design; the form is often learning towards anti-esthetics. It is a paradox that this actually is an esthestic in itself. She is especially interested in concept-based project and investigating the interdisciplinary design methodologies into visual grammar. Mainly focus on challenging the forms/ platforms of visual communication from conception to completion.

I am a creative director and music producer living in London. Under the name “Klint” I've written and produced music for films and trailers such as Guy Ritchie’s Snatch, The Devil Wears Prada, Seven Psychopaths and The Monuments Men. In 2004 I co-founded Specialten, a music and film dvd magazine and in 2009 File magazine, an online film, art and design publication. My latest project is citylikeyou.

Murals, wallpaper design, painter..

I'm an Interiors and Still Life Photographer, based in London. Kristy was raised in 14 houses over the 18 years she grew up in North Yorkshire. It may be this steady flow of homes, and way of living, that led to her curiosity to shape the everyday. Her love of photography was cemented in the Autumn of 2005 while spending six months at university in Springfield, Missouri, developing her calm, clean and focussed style while photographing with her Mamiya C330. She draws influence from American and European Modernist architecture, along with suburban imagery from the 1950’s onwards, creating surreal and playful imagery hinged on her desire to form intrigue, through line, form and arrangement.

Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.