About Oliver
Photographer from London. Clients include Nike, Adidas and Reebok
http://ollietrenchard.com
Current city: London
Photographer from London. Clients include Nike, Adidas and Reebok
 

More People in London 510

I’m an illustrator, maker and art director based in London and work with photographers to create images for clients such as the V&A, Orange, The New York Times, Creative Review and Wallpaper*. As part of Peepshow Collective I work collaboratively with the other members on exhibitions, animation and installation projects. Portrait by Jenny Lewis.
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Industrial designer who creates playful home decor. Founder of Dyslexic Design. Originally trained as a model-maker in the film and television industry. Jim then went on to teach at a special needs school in London before completing a Master’s degree (2006) in Industrial Design at Central Saint Martins College of Art & Design (part of London’s University of the Arts). In 2016, Jim curated an exhibition called Dyslexic Design, which was designed by Ab Rogers and hosted by designjunction. The show challenged perceptions of dyslexia by accentuating its positive effects and its close association with design.
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Illustrator living in East London - born and bred in Bristol
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I'm an Interiors and Still Life Photographer, based in London. Kristy was raised in 14 houses over the 18 years she grew up in North Yorkshire. It may be this steady flow of homes, and way of living, that led to her curiosity to shape the everyday. Her love of photography was cemented in the Autumn of 2005 while spending six months at university in Springfield, Missouri, developing her calm, clean and focussed style while photographing with her Mamiya C330. She draws influence from American and European Modernist architecture, along with suburban imagery from the 1950’s onwards, creating surreal and playful imagery hinged on her desire to form intrigue, through line, form and arrangement.
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Elizabeth Gabrielle Lee is an artist, researcher and writer. Her practice is guided by the iterations of slow violence and the dynamic between the ‘near’ and ‘elsewhere’. In attempting to disarm instruments of knowledge production, her practice shies away from reduction and completion. Steering away from essentialisms, she is interested in once-forgotten micro and muted narratives. By revisioning fractured traditions, she engages with visual and textual interventions to navigate the nuances of perception and retention. Lee also runs XING, a research platform centered on the poetics and politics of Southeast and East Asian art practices. Assuming form of a shapeshifter, it morphs between localities and temporalities; with(in)flux. A domain of not-yet possibilities, the platform attempts to dismantle matrices concerned with the region from non-dominant perspectives.
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