I'm from Cornwall. Anyone who knows me knows that I rant on about Cornwall. The longer I stay away from Cornwall (in London) the more I seem to rant about it. But I still like to go back as often as possible to do crazy stuff like cast metal furniture on the beach or carve chairs out of Cornish granite in the various quarries dotted around the countryside. Otherwise you will find me in my studio in deepest darkest Tottenham whittling a lump of material into a spoon or chair.

Joe Joiner is a freelance design creative raised and based in East London. Since graduating from Chelsea College of Art & Design, he has built himself a multi-disciplined portfolio that contains a wide variety of clientele, media and approach; with work recently featuring on It's Nice That and Bitique.

After 8 years as senior designer at acclaimed agency Graphic Thought Facility. Stefi Orazi founded the Stefi Orazi Studio in 2006. Based in East London, the focus of her work is mainly in print and exhibition graphics.

Creative Director & art director/Founder of a new creative studio coming soon. World traveller. Seeker of local places for local people. 

Since an early stage, Giacomo felt interested in the visual perception of the volumes, light, transparencies, light materials, and how the eye treats the mind with a thoughtful use of them. Bachelor in Product Design and a Master’s degree in Architecture provided him all the technical aspects of the use of strengths, understanding of materials and 3D modelling. Once has the technical knowledge and the convince of creating art, the material chose was the step to follow. The keenness of using a simple material whit shining properties became stronger thus after an examination of different materials the decision was to use brass and steel wire. In addition, the concept of using something cheap to create something precious is very attractive. Creating a net of sewed wire with specific mental patrons and the using the strengths, making reinforcement to create shapes and curvatures lead final sculptures and models. The process followed during the last four years has been an autodidactic process of discovering how the weight, the tensions and the structure of the net can get transformed into an art piece.