Valeria is a photographer from Sardinia (Italy), graduated in Industrial Design currently attending her MA in Fashion Photography at London College of Fashion. She lived for four years in Rome and loved it, five months in Edinburgh and disliked it, since May in London and in love with the city. She is constantly inspired by her surroundings, lights, new places, dreams, people, her homeland, her past and present. She loves more aesthetic than conceptual, female body and analogue cameras. Fashion Photography is her way to sum up all these beautiful things.

Ginko Yang is an illustrator & graphic designer based in London & Shanghai.  Researching in Central Saint Martins, she is now working on imaginary landscapes and the life-long subject of how to chill.

Polly Brown is a London based artist, and photographer. Having graduated from Central St Martins in 2009, after studying Fine Art & Conceptual Theory, Polly has worked throughout the art, fashion and music industry, creating concept lead visual projects. Polly's work often looks at the small unnoticed aspects of life and the world around us. Unpicking and re focusing on the small elements that make up a greater whole. Projects range from editorial, photo essays to short films. Clients have included ICA, Dazed and Confused, Kris Van Assche and DIESEL to name a few. Polly has an ongoing project called PLANTS which sees her photograph iconic brands office foliage. Originally commissioned by Ronnie's Woods Whisper Gallery the project includes some of the worlds largest corporations and is ever expanding.

Miltos Bottis is a Greek, London based graphic designer with a methodical approach to identities, printed matter, websites, and visual communication. Content-based research and typography-led design justify his approach to every project.

I was born in the mid 1980's and grow up in London. From always having a fascination with mechanical objects and relentlessly playing with lego as a child becoming a still life photographer seemed like a natural progression. There is something enormously rewarding about creating exactly whats in your head. I try and make my images on first glance look completely perfect but on closer inspection its revealed there are many imperfections, if you look closer at the 'Wrapping Paper Series' you can see all the joins and creases. I think this makes it look and feel like a photograph and not CGI.