Artist!

I am a Swedish artist based in London. My work concern interest in restraint related to the body and cultural structures. Ideas of obstruction aim to question how forms and bodies adapt to change, environment and ideals.  I am interested in how a person is shaped by the spaces they have occupied and how a person occupies their own psychological space. With a background in dance, interests in the body and spatiality continue to influence my ideas with focus on balance and repetition. The physical relationship to images are essential in my process of making and the photograph as a performative document explore elements of gesture. There are slippages between image, object and subject. I work mainly with the analogue photographic process and sculpture in relation to the image and performance. I enjoy working physically with materials whether they are photographic prints, sculpture or my own physical body as a medium. 

Monika K. Adler is an acclaimed photographer and avant-garde filmmaker known for her challenging and provocative photography and experimental films. Her works have been exhibited in hundreds of photography, video art, and film festivals, art museums, and galleries worldwide. Adler’s films and image-based works have been the subject of several academic studies and published in many magazines and publications. She lives and works in London, United Kingdom.

Milène Larsson is an award-winning, seasoned international news, current affairs and documentary producer/director/reporter covering issues spanning from the environment, gender norms, women’s social status and civil rights, to culture, travel and migration, which she has reported on extensively in the British Media Awards winning documentary series Europe or Die. She’s currently co-Head of Video for VICE and based in London.

Painter, Day-dreamer, Wanderer. Corn sets out to explore the deepest levels of the human subconscious. The atmospheric, melancholic tones of her drawings and paintings evoke sensations of dislocation. These works document her interest in what is lost and what is found, the ambivalence between what is the fleeting memory and what is synthesized as a trace within the landscape.