I was born in the mid 1980's and grow up in London. From always having a fascination with mechanical objects and relentlessly playing with lego as a child becoming a still life photographer seemed like a natural progression. There is something enormously rewarding about creating exactly whats in your head. I try and make my images on first glance look completely perfect but on closer inspection its revealed there are many imperfections, if you look closer at the 'Wrapping Paper Series' you can see all the joins and creases. I think this makes it look and feel like a photograph and not CGI.

Paul Nicholson #graphicdesign #graphicart #logo #branding #typography #photography #recordsleeve #3 #terratag Paul Nicholson - NUMBER 3

Born and raised in Cardiff, James Davies is a photographer who has lived in London for 13 years. His work centres around the impact of the city upon its citizens and its citizens upon the city, as well as the wider social, economic and political themes that affect daily life in Britain. His most recent series, The Sclerosis of Existence, looks to explore the relationship between the people and the places of a city when seen through the repetition of daily routine.

Mira Calix is an award winning composer, producer and performer based in the United Kingdom. She is signed to Warp Records, on which she has released five albums. Although her earlier music is almost exclusively electronic and organic in nature, in recent years she has incorporated classical orchestration into her work for dance, film, theatre, opera and installations. Mira Calix is currently working on an album with singer/songwriter Malcolm Middleton and working Nothing Is Set In Stone, a musical sculpture for Hidden London , commissioned by The Mayor Of London, for the London 2012 festival

Inês Rebelo (1981, Lisbon) is a visual artist with a MFA in Fine Art from Goldsmiths College, London. She works in painting, drawing and installation and is interested in the parallel stories that can arise in our relationship with mundane and overlooked ordinary objects, often looking at the relationship between scientific facts and the empirical experience of everyday moments.