Izabela is a German-Polish writer and editor who grew up in Berlin. She graduated with a BA in Communication, Curation and Criticism from Central Saint Martins and completed a masters degree in Critical Writing for Art and Design at the Royal College of Art. Through writing about art, architecture, politics, the media and design, she observes the constructs of everyday life. Izabela cares to be both a boundless enthusiast and a sensitive critic when engaging with contemporary narratives or speaking to current-time visionaries.

Charley Peters is an artist based in London. She produces systematic drawings on paper and in physical spaces in which visual order is deconstructed through mechanical, manual or architectural interference. She has a PhD in Fine Art and exhibits her work internationally. As Co-Director of TBC Artists’ Collective, Charley works with artists and writers engaged in research-led projects that explore drawing as a performative, documentary or interventionist medium.

Jessica Sarah Rinland is a filmmaker based south of London. She also works part-time as a projectionist in the city. Her work has been broadcasted, exhibited and screened at various film festivals including NYFF, BFI London Film Festival, International Film Festival Rotterdam, Ann Arbor Film Festival, Bloomberg New Contemporaries 2011 and a collaborative screening with Jonas Mekas at Curzon Soho Cinema in London.

Sonya Dyakova is an art director living in London, who founded Atelier Dyakova, a multi-disciplinary, award winning visual communication agency. She leads a chaotic life with her photographer husband Edward Park and two beautiful children.

Brought up in the Cotswolds, Oliver began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. His first solo exhibition entitled Volte-face will premier at London's Royal Geographical Society in September 2016. Taken over a period of four years, Volte-face is a series of images taken at the world’s most photographed historic sites, buildings and monuments - but looking away from them. To coincide with the exhibition at the RGS a book of the project, featuring an essay by Geoff Dyer, will be published by Dewi Lewis Publishing Ltd. Oliver continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He cites as key influences William Eggleston, Saul Leiter and Andre Kertesz. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner’s The Wedding Date, Frank Oz’s Death At A Funeral and Joanna Hogg’s Unrelated as well as experimental gallery-based installations such as Gideon Koppel’s Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L’Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury’s.