Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.

Carla Borel is a London based portrait and fine art photographer. Her personal work addresses themes of transience, identity, community, isolation and loneliness. Her Stillsoho series has been described by Town magazine 'as one of the most iconic portrayals of London in recent years.' Born in Paris, raised in Las Vegas and a Hampshire village, she was formerly a croupier in Mayfair casinos; a bar tender at the French House in Soho; production assistant to legendary advertising photographer John Claridge; a gallery girl in London’s art world, working with influential curator Emma Dexter; and assistant to Beat Generation expert, Barry Miles. Her work has been published in AnOther Man, Harper's Bazaar, German Vogue, L'Uomo Vogue, Port, Town, Elephant, the Daily Telegraph and the Guardian. She recently had a solo exhibition of male portraits, Homme Libre, in London, was in the London Calling Photocopy Club exhibition and was included in Conceal/Reveal at Photo Oxford. 

Adrian Westaway Co-founder & Director of Technology and Magic at Special Projects Adrian is an inventor, engineer and experience designer on a mission to make the human-technology interaction meaningful and delightful. As co-founder of Special Projects he harnesses technology, inclusive research and magic thinking to devise design propositions that feel familiar yet wondrous. A self-taught magician since the age of 11 and full member of the Magic Circle, he relentlessly pursues his conviction that “designers should use magic thinking and try to introduce surprise, delight and fuzzy feeling in the things they create.” After becoming the first ever James Dyson Fellow in 2007, and a Fellow of the Royal Commission of 1851, in 2010, for his work on interactive lighting systems, Adrian built a playground in Peru, had whisky with Derren Brown as a student in Bristol, and tried to make his teachers disappear. His contagious passion for magic and engineering made him a beloved tutor and lecturer in Design & Innovation at Queen Mary University and the Royal College of Art, in London and a visiting faculty member at the Copenhagen Institute of Interaction Design. There he teaches ‘Magic and Design’, a nomadic workshop where students are introduced to methods of using design and technology to create enchanted products and experiences.

Izabela is a German-Polish writer and editor who grew up in Berlin. She graduated with a BA in Communication, Curation and Criticism from Central Saint Martins and completed a masters degree in Critical Writing for Art and Design at the Royal College of Art. Through writing about art, architecture, politics, the media and design, she observes the constructs of everyday life. Izabela cares to be both a boundless enthusiast and a sensitive critic when engaging with contemporary narratives or speaking to current-time visionaries.

Adam graduated from Leeds College of Art with a 1st class degree in Visual Communications. He has assisted on shoots for Vogue, Tatler, Elle, Marie Claire and many more and has built an impressive portfolio of work. Adam's photography is beautifully coloured and lit. He has an exceptional eye for mood. Creating works with maturity and emotion.