Built by my Dad and I in the rafters of an old peanut factory in Hackney Wick, I have slept and scribbled in this space for a number of years now. I enjoy being instantly confronted by the days task as soon as I wake. Despite the lack of natural light and paper thin walls this studio is great place to produce work. By far my favourite edition to the space of late has been my hammock.

A peaceful park in Kingston Upon Thames. You can see lovely houses and gardens across the river. It's a wonderful place where you can take a rest with your family or friends. I recommend you to take a walk after having lunch or dinner in riverside restaurants near to the park. It's not big, however, very enough to feel the beauty of nature. I've done some location drawings here which was quite exciting. Just seat on a bench and enjoy the comfortable atmosphere. 

An unassuming glass door on an otherwise plain facade hides a cavernous space, with high ceilings and huge sliding partitioned walls producing excellent exhibitions in a space you'll want to go back to.

I try to come every Sunday to wander around this hidden conservatory in my favorite Brutalist estate.

I’ve always been very fond of the ICA and its maverick spirit, less so in the latter part of this decade. These days the place is magnetic. To feel this incredible and unique place for arts and expression, breathing, breathing invigoratively, is rewarding to a London dweller or/and visitor. Its incredible transformation, revived from near death by Stefan Kalmár, is felt as soon as you enter the space, it feels open and alive, with vibrant and human energy in staff and visitors; risky, independent, engaging, resounding, and topical to our times programming, which is focused on breaking barriers in imagination an intellect rather than visitor record numbers. It is a breath of fresh air and an example what London art institutions are capable of if they open themselves to welcoming in an outsider and their passionate vision. And they have the best membership in town!