About Wallace
Maybe stuck a bit in the 1920–70s Design Director at Koto http://studiokoto.co Editor of http://britishrailmanual.com
http://www.wallacehenning.com
Current city: London
Maybe stuck a bit in the 1920–70s Design Director at Koto http://studiokoto.co Editor of http://britishrailmanual.com
 

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Carla Andrade is a Spanish Visual Artist with a Degree in Audio-visual Studies and Philosophy. She is currently studying a M.A. in Artist’s Film & Moving Image at Goldsmiths University in London. She carried out Artist Residencies in Iceland, Sweden, Nepal, Chile, and Paris, among others. Her work was exhibited at the MAC in A Coruña, Colegio de España in Paris, Trinta Gallery in Santiago de Compostela, Guggenheim Museum in Bilbao, MARCO of Vigo, 104 in Paris, etc; and at Film and Photography Festivals such as IFFR, Zinebi, Jihlava, Filmadrid, L’Alternativa, Curtocircuito, Porto/Post/Doc, PhotoEspaña or Mois de la Photo off.
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Before moving to London, Fortuny worked in New York City, Milan, and Los Angeles as a writer and editor. She has contributed to magazines such as Flaunt, Dazed & Confused, Exit, Metal, and Vice. Fortuny is currently the Features Editor at Exit magazine. She loves design, languages, and studying art movements.
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Brought up in the Cotswolds, Oliver began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. His first solo exhibition entitled Volte-face will premier at London's Royal Geographical Society in September 2016. Taken over a period of four years, Volte-face is a series of images taken at the world’s most photographed historic sites, buildings and monuments - but looking away from them. To coincide with the exhibition at the RGS a book of the project, featuring an essay by Geoff Dyer, will be published by Dewi Lewis Publishing Ltd. Oliver continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He cites as key influences William Eggleston, Saul Leiter and Andre Kertesz. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner’s The Wedding Date, Frank Oz’s Death At A Funeral and Joanna Hogg’s Unrelated as well as experimental gallery-based installations such as Gideon Koppel’s Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L’Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury’s.
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Renate Ariadne is a Dutch fashion photographer with an autonomous approach. Highly inspired by Magical Realism, she strives to create images that read in a way similar to our dreams. After finishing her Bachelor in Photography at the Royal Academy of Art in The Hague in 2016 she moved to London, where she is currently based. Photo credit: Laila Mubarak
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